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Pillar where Jesus Christs death sentence was posted

Pillar where Jesus Christs death sentence was posted


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Pillar where Jesus Christs death sentence was posted

Pillar where Jesus Christs death sentence was affixed, Jerusalem 1800s. Colonna su cui fu appesa la Sentenza di morte di Gesu Cristo. Handcoloured copperplate engraving by Corsi after Giulio Ferrario in his Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1833. Copied from Luigi Mayers Views in Egypt, Palestine and Other Parts of the Ottoman Empire, 1804

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Media ID 23384892

© Florilegius

Antico Christs Corsi Ferrario Fontana Giulio Israel Jerusalem Jesus Luigi Mayer Moderno Palestine Parts Peoples Pillar Pool Posted Sentence Siloam Spring Ottoman Piscina


FEATURES IN THESE COLLECTIONS

> Africa > Egypt > Related Images

> Arts > Artists > F > Giulio Ferrario

> Asia > Israel > Jerusalem Heritage Sites > Old City of Jerusalem and its Walls

> Asia > Israel > Jerusalem

> Asia > Palestine > Jerusalem

> Mary Evans Prints Online > New Images August 2021


EDITORS COMMENTS
This haunting image captures the Pillar of Condemnation, a historical landmark in Jerusalem where the death sentence against Jesus Christ was once posted in the 1800s. The pillar, now known as the "Column of Flagellation," stands near the ancient Pool of Siloam and the City of David. This hand-colored copperplate engraving, created by Corsi after Giulio Ferrario's "Costumes Ancient and Modern of the Peoples of the World," published in Florence in 1833, offers a captivating glimpse into the past. The pillar, adorned with intricate carvings, stands tall against the backdrop of a barren landscape. The spring of Siloam, a vital water source for the city, is visible in the foreground. The image evokes a sense of solemnity and reverence, as one can almost imagine the crowds that once gathered around the pillar to witness the unfolding events leading to Jesus' crucifixion. The engraving also provides a fascinating glimpse into the historical fashion and everyday life of the people during that era. The figures in the image, dressed in traditional Middle Eastern attire, add depth and context to the scene. This illustration, taken from Luigi Mayer's "Views in Egypt, Palestine and Other Parts of the Ottoman Empire," published in 1804, is a testament to the rich history and cultural significance of the Holy Land.

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