Tomato. Studies in plant form with suggestions for their application to design

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Tomato. Studies in plant form with suggestions for their application to design

Studies in plant form with suggestions for their application to design. Artists: A E V Lilley and W Midgley Date: 1903

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Media ID 23371046

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Application Flora Form Lilley Midgley Studies Study Artists

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EDITORS COMMENTS
This photograph print, titled "Studies in Plant Form: Tomato" by artists A.E. Vassar Lilley and W. Midgley, dates back to the early 20th century, specifically the year 1903. The image showcases a meticulously arranged display of tomato plants, their vibrant red fruits cascading down the frame in a mesmerizing pattern. The artists' keen eye for detail is evident in the intricate depiction of each tomato, revealing the unique textures and forms that make up this beloved fruit. The interplay of light and shadow adds depth and dimension to the image, inviting the viewer to explore the intricacies of the tomato's form. This photograph is not only a beautiful representation of nature but also an exploration of the artistic process. Lilley and Midgley's "Studies in Plant Form" series aimed to capture the essence of various plants, focusing on their unique shapes and structures. Their work was an inspiration for the Art Nouveau movement, which emphasized organic forms and natural motifs in design. The tomato study offers a wealth of possibilities for designers and artists. Its organic shapes and rich colors can be used to create dynamic patterns, textures, and motifs in various design applications. The image can also serve as a source of inspiration for illustrators, painters, and sculptors seeking to capture the beauty and complexity of the natural world. In conclusion, this photograph print of "Studies in Plant Form: Tomato" by A.E. Vassar Lilley and W. Midgley is a stunning example of early 20th-century botanical art. Its intricate detail, organic forms, and vibrant colors continue to captivate and inspire designers, artists, and nature lovers alike.

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