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Young English gentleman gambling at Newmarket racetrack
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Young English gentleman gambling at Newmarket racetrack
Young English gentleman placing a bet at a betting post at Newmarket racetrack. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from William Combes The Dance of Life, Rudolph Ackermann, London, 1817
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Media ID 23389660
© Florilegius
Ackermann Argument Coffee Combe Crockery Debt Dining Gambling Gentleman Lute Maid Money Newmarket Racetrack Regency Rowlandson Rudolph Tray
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EDITORS COMMENTS
In this hand-colored copperplate engraving from the Regency era, a young English gentleman is deeply engrossed in the thrilling atmosphere of Newmarket racetrack. The engraving, based on an illustration by Thomas Rowlandson, is part of William Combe's popular series "The Dance of Life," published by Rudolph Ackermann in London in 1817. The dapper gentleman, dressed in the height of fashion, leans over the betting post, his brow furrowed in concentration as he places a bet on an upcoming race. The excitement of the racetrack is palpable, with the crowd in the background, dogs barking, and the sound of horses' hooves echoing in the distance. However, the scene is not without its tensions. A heated argument between the gentleman and his wife, who stands nearby, suggests that gambling debts may be mounting. The maid, holding a tray laden with a cup of coffee and crockery, looks on with a worried expression. Despite the potential financial and relational consequences of his actions, the young gentleman remains focused on the race, his eyes never leaving the betting post. The engraving masterfully captures the allure and danger of gambling during the Regency era, as well as the complex social dynamics of the time. The intricate details of the hand-colored engraving, from the gentleman's elegant attire to the ornate cup and saucer on the maid's tray, add to the overall richness and depth of the image. This print is a must-have for anyone interested in the history of gambling, the Regency era, or the art of Thomas Rowlandson.
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