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Catalogue illustration, vase, embroidery, carpet, costume

Catalogue illustration, vase, embroidery, carpet, costume


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Catalogue illustration, vase, embroidery, carpet, costume

Catalogue illustration, vase, embroidery, carpet, costume. 65. Porcelain vase made in the Imperial Factory at Yildiz, donated by the Sultan. 66. Embroidered and framed pouch, made and donated by the Sultans wife. 67. Ancient carpet embroidered in gold sequins, donated by Ghalib Pasha, Minister of the Evkaf (a religious foundation). 68. Ancient costume of a Bosnian woman, in red and gold, donated by the widow of Hussein Husni Pasha. Date: circa 1890s

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 18952108

© Mary Evans Picture Library 2015

Abdul Arabic Bazaar Donated Families Fundraising Hamid Ornament Patronage Postwar Sultan Victims Wounded Ottoman


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EDITORS COMMENTS
This catalog illustration showcases a selection of exquisite donations made during the post-war period in the late 1890s, in the aftermath of the Turkish War of Independence. The Imperial Factory at Yildiz, under the patronage of Sultan Abdul Hamid II, contributed a stunning porcelain vase adorned with intricate floral designs. The Sultan's wife generously donated an embroidered and framed pouch, meticulously crafted with delicate threads and precious stones. An ancient carpet, embroidered with gold sequins, was donated by Ghalib Pasha, the Minister of the Evkaf, a religious foundation. The vibrant colors and intricate patterns of the carpet reflect the rich cultural heritage of the Middle East. A rare and beautiful costume of a Bosnian woman, in red and gold, was donated by the widow of Hussein Husni Pasha. The costume, adorned with intricate beadwork and embroidery, reflects the ornate design sensibilities of the Eastern world. This chromolithograph illustration from the 1890s, produced during the French Ottoman Empire, serves as a testament to the generosity and patronage of the elite during a time of need. The illustration highlights the various donations made to aid the wounded and support the families of victims of the war. The Arabic script in the background adds an authentic touch to the image, further emphasizing the Eastern origins of these precious donations.

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