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PALMEZZANO, Marco. Portrait

PALMEZZANO, Marco. Portrait


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PALMEZZANO, Marco. Portrait

PALMEZZANO, Marco (1457-1539). Anne Boleyn. beg. 16th c. Anonymous portrait. Renaissance art. Oil. ITALY. LAZIO. Rome. Galleria Spada (Spada Gallery)

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Media ID 14180610

© BeBa/Iberfoto/Mary Evans

1457 1539 Anne Anonymous Belief Beliefs Boleyn Childhood Childish Daylight Galleria Gallery Lazio Marco Oils Paintings Pictures Religions Renaissance Spada Sunlight Times Masculine Persons


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> Arts > Art Movements > Renaissance Art

> Arts > Contemporary art > Modern art > Portraits

> Arts > Contemporary art > Portraits > Modern art

> Arts > Modern art pieces

> Arts > Portraits

> Arts > Street art graffiti > Portraits > Modern art

> Europe > Italy > Lazio > Rome

> Europe > Italy > Paintings

> Europe > Italy > Rome

> Historic > Renaissance art


EDITORS COMMENTS
1. Title: "Marco Palmezzano's Portrait of Anne Boleyn: A Renaissance Masterpiece from the Galleria Spada in Rome" This evocative portrait, attributed to the Italian artist Marco Palmezzano (1457-1539), captures the enigmatic figure of Anne Boleyn (c. 1501-1536), the second wife of King Henry VIII of England, in the early 16th century. The anonymous portrait, painted in oil on a canvas, is a testament to the artistic prowess of the Italian Renaissance. The scene unfolds in the warm, inviting light of a sunlit day, with the exterior of the Galleria Spada (Spada Gallery) in Rome serving as a serene backdrop. The artist masterfully employs a horizontal composition, filling the frame with the regal presence of Anne Boleyn. She is depicted in a rich, colorful attire, her expressive eyes conveying a sense of determination and intelligence. In the foreground, a young boy and girl playfully interact, adding a touch of childhood innocence to the scene. The inclusion of these children could symbolize Anne's role as a mother to her daughter, the future Queen Elizabeth I, or perhaps represent the fleeting nature of youth and the passage of time. The painting's intricate details and lifelike portrayal of Anne Boleyn reflect the artistic techniques and beliefs of the Renaissance era. The religious undertones of the period are also evident, with the use of oil paints and the reverence for the human form as a reflection of the divine. This portrait invites us to delve into the complex history of Anne Boleyn and the early modern times, offering a glimpse into the rich cultural heritage of Western art.

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