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Piero della Francesca (c. 1420-1492). Italian painter. The Ba

Piero della Francesca (c. 1420-1492). Italian painter. The Ba


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Piero della Francesca (c. 1420-1492). Italian painter. The Ba

Renaissance Art. Italy. 15th century. Piero della Francesca (c.1420-1492). Italian painter. The Baptism of Christ (c. 1450). Detail. Tempera on panel. National Gallery. London. England. UK

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Media ID 14323052

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Angel Baptism Baptist Baptize Catholicism Christ Christianism Della Dove Francesca Jesus Jordan Piero Renaissance Spirit Testament 15th


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> Arts > Still life artwork > Still life art > Still life paintings

> Arts > Still life artwork > Still life art

> Arts > Still life artwork

> Arts > Modern art pieces

> Arts > Realistic drawings > Still life artwork > Still life paintings


EDITORS COMMENTS
This exquisite detail from Piero della Francesca's masterpiece, The Baptism of Christ, showcases the Italian painter's exceptional skill and innovative techniques that epitomize the Early Renaissance period. Created around 1450, this tempera on panel painting is currently housed at the National Gallery in London, England, UK. At the heart of the scene, we find Jesus, the central figure, being baptized by St. John the Baptist in the River Jordan. The Baptist, dressed in camel's hair and a leather belt, stands with one hand raised in blessing, while the other points to Jesus. Above them, an angel, clad in flowing robes, holds a golden nimbus, symbolizing the divine presence of the Holy Spirit. The tranquil landscape in the background, with its lush trees and serene water, adds depth and perspective to the composition. Piero's meticulous attention to detail and his mastery of linear perspective are evident in the way the converging lines of the trees and the riverbed lead the viewer's gaze to the focal point of the painting. The Baptism of Christ is a testament to Piero's profound understanding of the New Testament narrative and his ability to bring the story to life in a way that resonates with the modern age. The painting's enduring appeal lies in its harmonious blend of religious symbolism and artistic innovation, making it a must-see for anyone interested in the history of art and the development of Catholicism in Italy during the 15th century.

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