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Pope Innocent X by Velazquez

Pope Innocent X by Velazquez


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Pope Innocent X by Velazquez

Pope Innocent X by Diego Rodriguez de Silva y VELAZQUEZ, (1599-1660). Baroque art. Oil on canvas

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 8262211

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10212718

1599 1660 Baroque Diego Innocent Pope Rodriguez Silva Velazquez Aisa


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> Arts > Art Movements > Baroque

> Arts > Artists > V > Diego Rodriguez de Silva y Velazquez

> Arts > Artists > V > Velazquez


EDITORS COMMENTS
Pope Innocent X, painted by Diego Rodriguez de Silva y Velazquez in 1650, is a masterpiece of Baroque art that continues to captivate viewers with its striking realism and grandeur. Commissioned by the Pope himself, the portrait was painted during Velazquez's time in Rome as the Spanish ambassador's assistant. Velazquez's innovative approach to portraiture is evident in this painting, as he departed from the traditional formal and stiff depictions of popes and instead chose to portray Innocent X in a more human and dynamic way. The Pope is shown seated on an ornate throne, dressed in rich robes and adorned with the papal tiara. However, it is his intense gaze and expressive face that truly bring the portrait to life. The use of chiaroscuro, or the contrast between light and dark, adds depth and drama to the painting. The intricate folds of the Pope's robes are rendered in exquisite detail, and the rich colors and textures create a sense of opulence and grandeur. The historical significance of this painting is not to be understated. Velazquez's innovative approach to portraiture paved the way for future artists, and his depiction of Pope Innocent X has become an iconic image of the Baroque period. The painting is now housed in the Accademia di San Luca in Rome and is a must-see for anyone interested in art history. Velazquez's Pope Innocent X is not only a beautiful work of art, but also a testament to the power and influence of the Catholic Church during the Baroque era. The painting's enduring appeal lies in its ability to transport us back in time and offer a glimpse into the world of 17th century Rome.

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