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Fred and Adele Astaire in Stop Flirting, London, 1924

Fred and Adele Astaire in Stop Flirting, London, 1924


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Fred and Adele Astaire in Stop Flirting, London, 1924

Fred and Adele Astaire in Stop Flirting, London, 1924 Date: 1924

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14398144

© Mary Evans / Jazz Age Club Collection

Adele Astaire Dancers Flirting Fred Stop 1924 Musical


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EDITORS COMMENTS
Stop Flirting," a captivating photograph capturing the magical chemistry and undeniable allure of the legendary dance duo, Fred Astaire and Adele Astaire, in the heart of London's vibrant jazz scene during the 1920s. The image, taken in 1924, showcases the siblings in their prime, exuding an effortless elegance and playful energy that would come to define their iconic stage presence. Fred, with his debonair charm and suave sophistication, and Adele, radiant and full of life, are seen locked in a moment of light-hearted banter, their eyes playfully engaged as they dance in perfect harmony. The photograph, a testament to their unparalleled connection and synchronicity, is a stunning reminder of the golden age of jazz and musical theatre. Set against the backdrop of London's bustling theatre district, the siblings' infectious energy and charisma are on full display, their every move a testament to the artistry and innovation that would come to define their careers. The photograph, a precious gem from the annals of dance history, continues to captivate audiences and inspire new generations of performers, a poignant reminder of the timeless magic of the stage and the unbreakable bond between Fred and Adele Astaire. Taken from a 1920s magazine, this photograph is a rare and exquisite glimpse into the world of jazz, theatre, and dance during an era of unparalleled creativity and innovation. With Fred and Adele Astaire at the forefront, "Stop Flirting" is a captivating snapshot of a bygone era, a moment frozen in time that continues to captivate and inspire.

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