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A presidential conjuror - What Mr. Arthur must be to satisfy
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A presidential conjuror - What Mr. Arthur must be to satisfy
A presidential conjuror - What Mr. Arthur must be to satisfy all the politicians. Chester Arthur, on stage, throwing out titles of political offices, soft soap, promises, etc. to crowd of men. Date 1881 Oct. 12. A presidential conjuror - What Mr. Arthur must be to satisfy all the politicians. Chester Arthur, on stage, throwing out titles of political offices, soft soap, promises, etc. to crowd of men. Date 1881 Oct. 12
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A Presidential Conjuror - What Mr. Arthur Must Be to Satisfy All the Politicians
EDITORS COMMENTS
- This intriguing political cartoon, published in Puck magazine on October 12, 1881, depicts Chester Arthur in the role of a conjuror, performing a grand illusion for a crowd of eager politicians. The setting is a theatrical stage, with Arthur, dressed in a magician's robe and top hat, pulling levers and waving a wand as he produces titles of political offices and promises from a hat. The politicians, represented as star-struck men in top hats and tails, reach out to grasp these enticing rewards. At the time, Chester Arthur had recently ascended to the presidency following the assassination of James A. Garfield. Having served as Garfield's vice president, Arthur was an unlikely choice for the presidency, and many politicians were skeptical of his abilities. In this cartoon, Arthur is portrayed as a master conjuror, able to manipulate the political landscape and satisfy the desires of even the most demanding politicians. The use of the term "conjuror" is significant, as it implies that Arthur's ability to secure political offices and deliver on promises is not based on merit or competence, but rather on the power of illusion and manipulation. The cartoon serves as a commentary on the political climate of the time, highlighting the cynical nature of backroom deals and the pursuit of power for its own sake. Despite the critical tone of the cartoon, it also reflects the public's fascination with the presidency and the inner workings of politics. The image of a presidential conjuror, pulling the strings behind the scenes, would have been a captivating one for Puck's readers, who were eager for insight into the world of Washington politics. Overall, this political cartoon offers a fascinating glimpse into the political landscape of the late 19th century, as well as the enduring allure of the presidency and the human desire for power and influence.
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