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Saint Ursulas sculpture. Master of Utrecht Womans Stone He

Saint Ursulas sculpture. Master of Utrecht Womans Stone He


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Saint Ursulas sculpture. Master of Utrecht Womans Stone He

Saint Ursula (4th century). Sculpture by an unknown sculptor, the Master of Utrecht Womans Stone Head. Ca. 1530. Catharijneconvent Museum. Utrecht. Netherlands

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Media ID 14335198

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Anonymous Catharijneconvent Christianism Cologne Hold Master Netherlandish Netherlands Unknown Ursula Utrecht Keulen


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> Arts > Contemporary art > Modern art > Sculpture

> Arts > Contemporary art > Sculpture > Modern art

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> Europe > Netherlands > Sculptures

> Europe > Netherlands > Utrecht


EDITORS COMMENTS
1. Title: "Saint Ursula's Timeless Grace: The Unknown Sculptor's Masterpiece from the Catharijneconvent Museum, Utrecht, Netherlands" Saint Ursula, a legendary British princess and virgin martyr, is depicted in this exquisite 16th-century sculpture by the anonymous Master of Utrecht. Dated around 1530, this stone head is a testament to the artistic prowess of the Netherlandish sculptor, whose identity remains a mystery. The sculpture is currently housed in the Catharijneconvent Museum in Utrecht, Netherlands. The serene expression on Saint Ursula's face conveys a sense of deep contemplation and inner peace. Her age, believed to be around the 4th century, is not evident in her youthful visage. The delicate features of her face, the intricately carved veil, and the delicate folds of her cloak are all executed with remarkable skill and precision. The Master of Utrecht's Saint Ursula is a rare example of the fusion of ancient and modern artistic styles. The sculpture's realistic representation of the human form is reminiscent of the classical Greek and Roman sculptures, while the intricate details and the subtle expressions on the face are characteristic of the Netherlandish art of the 16th century. Saint Ursula is depicted standing, holding a book in her left hand, and her right hand is held up in a gesture of blessing. This pose symbolizes her role as a teacher and a protector, emphasizing her status as a revered figure in Christian tradition. The provenance of this sculpture is shrouded in mystery, with some scholars suggesting that it may have originated from Cologne, Germany, before making its way to Utrecht. Regardless of its origins, this masterpiece continues to captivate and inspire visitors to the Catharijneconvent Museum, offering a glimpse into the rich artistic and cultural heritage of Europe.

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