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Scytalopus magellanicus, Magellanic tapaculo

Scytalopus magellanicus, Magellanic tapaculo


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Scytalopus magellanicus, Magellanic tapaculo

Ff. 163. Watercolour painting by George Forster annotated Motacilla magellanica and made during Captain James Cooks second voyage to explore the southern continent (1772-75)

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Media ID 8615543

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10705552

1754 1794 18th Century Adventure Captain Cook Captain James Cook Cook Discovery Exploration Forster Johann George Adam Johann George Adam Forster Mottled Passeriformes Passerine Perched Perching Sauropsid Sauropsida Magellanic


EDITORS COMMENTS
This exquisite watercolor painting, titled "Ff. 163," depicts the Magellanic Tapaculo, or Scytalopus magellanicus, a passerine bird native to the forests of South America. The illustration was created during Captain James Cook's second voyage of exploration to the southern continent, between the years 1772 and 1775. The painting was produced by the renowned naturalist and artist, George Forster, who meticulously documented the natural history of the lands and creatures encountered during the expedition. Forster identified the bird as Motacilla magellanica, a name now considered outdated. Forster's illustration captures the Magellanic Tapaculo in a perched position, showcasing its distinctive mottled plumage and robust legs. The Sauropsida, a group of vertebrates that includes reptiles and birds, is represented here through the anatomy of this avian subject. The painting is a testament to the spirit of adventure and discovery that drove Cook's expedition, as well as the scientific curiosity and artistic talent of Forster. Johann Georg Adam Forster, who accompanied Cook on the voyage, annotated the painting with the species name. Forster's work was published in his "Voyage Round the World," a comprehensive account of the expedition that was influential in advancing scientific knowledge of the natural world. This beautiful watercolor painting, with its historical significance and artistic merit, remains an invaluable record of the natural history of the southern continent during the 18th century.

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