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A second Yorktown
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A second Yorktown
A second Yorktown. Illustration shows a scene reminisent of the surrender at Yorktown, a man portraying Lord Cornwallis labeled Special Privilege is offering his sword to President Wilson portraying George Washington, with William Jennings Bryan on the right and Oscar W. Underwood on the left; standing behind the British officer are soldiers laying down their standards labeled Monopoly, Tariff, Banking, Food Adulteration, Lobbyism, and Rail Road Rule. Date 1914 February 21. A second Yorktown. Illustration shows a scene reminisent of the surrender at Yorktown, a man portraying Lord Cornwallis labeled Special Privilege is offering his sword to President Wilson portraying George Washington, with William Jennings Bryan on the right and Oscar W. Underwood on the left; standing behind the British officer are soldiers laying down their standards labeled Monopoly, Tariff, Banking, Food Adulteration, Lobbyism, and Rail Road Rule. Date 1914 February 21
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A New Era of Surrender - A Second Yorktown, 1914
EDITORS COMMENTS
This evocative illustration harks back to the historic surrender at Yorktown in 1781, where British General Lord Cornwallis capitulated to General George Washington, marking a pivotal moment in the American Revolution. In this modern-day retelling, Lord Cornwallis, now labeled as "Special Privilege," is seen offering his sword to President Woodrow Wilson, symbolizing the surrender of old-world practices and the dawn of a new era. To Wilson's right stands William Jennings Bryan, a prominent Progressive leader, and to his left is Oscar W. Underwood, a member of the House of Representatives, both eagerly observing the momentous occasion. The soldiers behind Cornwallis are depicted laying down their standards, each labeled with the insidious forces they represent: Monopoly, Tariff, Banking, Food Adulteration, Lobbyism, and Rail Road Rule. These symbols of corruption and manipulation are being relinquished, signaling a commitment to reform and progress. This powerful image, published in Puck magazine on February 21, 1914, was a testament to the growing sentiment among the American public for change and the belief that the old ways of doing things were no longer acceptable. The illustration captures the spirit of the Progressive Era, a time of reform and political awakening, and serves as a reminder of the ongoing struggle for transparency, fairness, and accountability in government.
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