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Sopwith Model XII: Denudation of mineral veins

Sopwith Model XII: Denudation of mineral veins


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Sopwith Model XII: Denudation of mineral veins

This model shows the influence of surface denudation and faulting on inclined strata, with increased complexity to the situation in Model VII. The discontinuity between the beds as viewed at the surface can be seen. Thomas Sopwith (1803 - 1879) was an eminent geologist and civil engineer who pioneered methods of representing geological features. This set of wooden models were designed to represent geological situations with faults, folds, inclines and strata that were particularly relevant to the mining industry

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Media ID 14239116

© Mary Evans / Natural History Museum

1803 1879 Behaviour Black Background Block Carved Complex Denudation Denuded Educational Eroded Erosion Erosional Fault Faulted Faulting Geological Geologist Geology Geomorphology Interaction Landform Layered Mineral Mineral Vein Mining Outcrop Representation Scientist Sopwith Strata Stratification Stratified Stratigraphical Stratigraphy Studioshot Surface Thomas Sopwith Vein


EDITORS COMMENTS
This photograph showcases a Sopwith Model XII, a wooden geological model created by the renowned 19th century geologist and civil engineer, Thomas Sopwith (1803-1879). The intricately carved model illustrates the complex interaction between surface denudation and faulting on inclined strata, with a focus on mineral veins. The discontinuity between the strata as viewed at the surface is evident, highlighting the intricacies of geological processes. Sopwith's models were groundbreaking in their representation of geological situations, particularly those relevant to the mining industry. This Model XII offers a unique perspective on the behavior of geological features, showcasing the erosional effects on stratified rock formations and the influence of faulting on mineral veins. The model's intricate design and attention to detail make it an invaluable educational tool, providing insight into the complex geological processes that shape our landforms. The model's black background emphasizes the intricacies of the carving, with the wooden blocks representing the various strata and mineral veins. The studio shot captures the model in its entirety, allowing us to fully appreciate the historical significance of Sopwith's work and the enduring importance of geological study. This photograph is a testament to Sopwith's pioneering contributions to the fields of geology, geomorphology, and stratigraphy, and serves as a reminder of the intricate and fascinating processes that shape our natural world.

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