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Sparmannia discolor by Matilda Smith

Sparmannia discolor by Matilda Smith


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Sparmannia discolor by Matilda Smith

Graphite on paper, 1880s by Matilda Smith (1854-1926). Held in the Library and Archives

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14239251

© Mary Evans / Natural History Museum

Anatomical Barren Botanic Eudicot Eurosid Graphite Images Of Nature Malvales Malvidae Mineral Pencil Pistil Rosid Stamen Women Artists Angiospermae Dicot Dicotyledon Magnoliophyta Ovary Sepal Smith Stellate Tiliaceae


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> Arts > Realistic drawings > Nature art > Botanical artwork


EDITORS COMMENTS
Sparmannia discolor - A Magnificent Illustration of a Barren Angiosperm by Matilda Smith (1854-1926) This exquisite graphite drawing, titled "Sparmannia discolor," is an exceptional example of the botanical artistry of Matilda Smith. Created during the 1880s, this masterpiece is held in the esteemed collections of the Library and Archives. The drawing showcases the intricate details of Sparmannia discolor, a dicotyledonous, eudicotyledonous angiosperm belonging to the Tiliaceae family, specifically the Malvidae and Malvales orders. The plant is known for its unique, barren flowers, which are devoid of petals but adorned with a stellate inflorescence. Smith's illustration highlights the various anatomical features of the plant, including the ovary, pistil, sepals, and stamens. The ovary is depicted as elongated and cylindrical, while the pistil is shown as slender and intricately detailed. The sepals are illustrated as green and slightly curved, and the stamens are shown as minute and densely packed. As a woman artist working in the late 19th century, Smith's work was a significant contribution to the historical record of botanical illustration. Her meticulous attention to detail and mastery of graphite techniques allowed her to capture the essence of Sparmannia discolor, providing a window into the natural world for future generations. This drawing is a testament to the beauty and complexity of the plant kingdom, as well as the artistic prowess of Matilda Smith. It serves as a reminder of the rich history of botanical illustration and the important role it plays in documenting and preserving the natural world.

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