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Syntagma Musicum by Praetorius, 1620
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Syntagma Musicum by Praetorius, 1620
Title page of Syntagma Musicum(1620), by Michael Praetorius. Musicians on earth echo the heavenly music of angels and even King David, as they worship the lamb of God. The same decorative border can be seen on a copy of one of Praetorius earlier work, Hymnodia Sionia, on picture number 10508934.
1620
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Media ID 7190021
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10508871
1600s 1620 Conductor Earth Gallery Heaven Heavenly Instrument Lamb Michael Minstrels Musicians Oboe Organ Praetorius Symbolic Title Tuba Worship Instuments Musical Musicum Syntagma
Syntagma Musicum
EDITORS COMMENTS
(1620): A Celestial Symphony of Earthly Musicians by Michael Praetorius In this title page of Michael Praetorius's magnum opus, "Syntagma Musicum" (1620), the earthly realm of music intertwines with the celestial harmonies of heaven. Praetorius, a renowned German composer, musician, and music theorist, invites us to witness a divine musical gathering. The central image showcases a multitude of musicians, their faces radiant with devotion, as they pay homage to the Lamb of God. The lamb, a potent Christian symbol of Jesus Christ, sits atop a throne, surrounded by angels playing various instruments. This tableau underscores the belief that earthly musicians echo the celestial music of the angels and even King David, the biblical figure renowned for his musical prowess. The ornate border, adorned with a myriad of musical instruments, further emphasizes the symbiotic relationship between the earthly and heavenly realms. This decorative motif can also be seen on a copy of one of Praetorius's earlier works, "Hymnodia Sionia," as depicted in picture number 10508934. The musicians, dressed in elegant attire, include a conductor directing the ensemble with an organ in the background. The array of instruments, such as the tuba, oboe, and various other wind, string, and percussion instruments, symbolizes the rich diversity of music during the 1600s. This evocative image encapsulates the essence of Praetorius's vision for music as a transcendent force that connects the human experience with the divine. The title page of "Syntagma Musicum" (1620) serves as a testament to Praetorius's enduring influence on music history and the power of music to inspire awe and reverence.
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