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TIEPOLO, Giovanni Battista (1696-1770). Eurybates


TIEPOLO, Giovanni Battista (1696-1770). Eurybates


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TIEPOLO, Giovanni Battista (1696-1770). Eurybates

TIEPOLO, Giovanni Battista (1696-1770). Eurybates and Talthybius Leading Briseis to Agamemnon. 1757. ITALY. Vicenza. Villa Valmarana. Baroque art. Fresco

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Media ID 8274001

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10686536

Agamemnon Baroque Battista Fresco Giovanni Leading Tiepolo Vicenza Villa Briseis Masculine


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> Arts > Art Movements > Baroque

> Europe > Italy > Heritage Sites > City of Vicenza and the Palladian

> Europe > Italy > Veneto > Vicenza


EDITORS COMMENTS
This print showcases the magnificent fresco painting by Italian artist Giovanni Battista Tiepolo, depicting a powerful scene from Greek mythology. Titled "Eurybates and Talthybius Leading Briseis to Agamemnon, " this Baroque masterpiece transports viewers to the grandeur of Villa Valmarana in Vicenza, Italy. The image captures the essence of Tiepolo's artistry with its vibrant colors and meticulous attention to detail. The composition is dominated by strong male figures, exuding masculinity and authority as they lead a procession towards Agamemnon, the legendary king of Mycenae. In their midst stands Briseis, a woman whose fate hangs in the balance amidst this dramatic encounter. The horizontal format allows for an immersive experience as we witness this pivotal moment unfold before our eyes. The interplay between light and shadow adds depth to the scene, enhancing its emotional impact on viewers. Tiepolo's skillful brushwork brings each character to life, capturing their individual expressions and gestures with remarkable precision. This fresco epitomizes his mastery of storytelling through visual art. As we gaze upon this extraordinary print from Mary Evans Prints Online, we are transported back in time to witness an ancient tale come alive within these walls. It serves as a testament not only to Tiepolo's genius but also to the enduring power of art itself.

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