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TOME, Narciso (1690-1752). Transparent. 1729 - 1731
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TOME, Narciso (1690-1752). Transparent. 1729 - 1731
TOME, Narciso (1690-1752). Transparent. 1729 - 1731. SPAIN. Toledo. Cathedral. Rococo. Relief on marble
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Media ID 14183348
© Paul Maeyaert/Iberfoto/Mary Evans
1690 1729 1731 1752 Altarpiece Ambulatory Belief Beliefs Castile Catholicism Catholics Christianism Christians Figures Mancha Marble Marbles Narciso Religions Ritual Rituals Rococo Sculptures Spaniard Spaniards Statues Times Toledan Toledans Toledo Tome Transparent Worship Worships Europeans
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EDITORS COMMENTS
This stunning print showcases the intricate beauty of the Transparent by Narciso Tome (1690-1752), a Rococo relief sculpture created between 1729 and 1731, located in the Cathedral of Toledo, Spain. Tome, a renowned Spanish sculptor from the region of Castile-La Mancha, masterfully carved this marble work, which is also known as the Transparente. The sculpture is a significant part of the cathedral's ambulatory, a passageway leading to the Capilla del Transparente, or the Chapel of the Transparent. The Transparent is a remarkable example of the Rococo style, characterized by its delicate, curved lines, intricate ornamentation, and a sense of lightness and transparency. The relief depicts various religious figures, including Christ, the Virgin Mary, and various saints, all surrounded by elaborate floral motifs and geometric patterns. The figures appear to be floating in a halo of light, creating an ethereal and otherworldly effect. The Transparent was likely created as an altarpiece or a focus for religious worship. The belief in the power of religious art to inspire devotion and bring believers closer to their deities was a deeply held conviction during the Early Modern Era, particularly in Catholic Spain. The intricate details of the Transparent, its beautiful craftsmanship, and its location in the heart of the Toledo Cathedral attest to the importance of art and religion in the lives of the Spanish people during this time.
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