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A Ventriloquist at Christies by H. M. Bateman
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A Ventriloquist at Christies by H. M. Bateman
Double page illustration by H. M. Bateman showing a chaotic scene at London auctioneers, Christies because of the actions of a mischievous ventriloquist. Bateman (1887-1970) was a popular artist and regularly contributed to the Sketch, the Tatler and the Bystander. His efficient, bold style depicting social faux-pas was ground breaking for its time and his work is a brilliant reflection of the period
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Media ID 4369764
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10217234
1933 Auction Auctioneers Bateman Bidding Chaotic Christies Confusion Double Mischievous Sale Ventriloquism Ventriloquist Saleroom
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A Mischievous Ventriloquist's Chaotic Intervention at Christie's Auction House: A Double Page Illustration by H.M. Bateman, 1933 This double page illustration by the renowned British artist, H.M. Bateman, captures the chaos and confusion that ensued at the prestigious London auction house, Christie's, during a lively sale in 1933. Bateman, known for his efficient, bold style and keen observation of social faux-pas, masterfully depicts the scene as a ventriloquist's mischievous antics disrupt the orderly proceedings of the auction. In the illustration, a ventriloquist, seated in the front row, manipulates the strings of his wooden puppet with a wicked grin, as the puppet bids on an item with animated enthusiasm. The auctioneer, in the midst of calling out bids and maintaining order, looks perplexed and alarmed, unsure of where the bids are coming from. The saleroom is filled with a cacophony of voices, as other bidders, both human and puppet, join in the bidding war, causing a scene of utter pandemonium. The historical significance of this illustration lies in its reflection of the period, where the art of ventriloquism was a popular form of entertainment. Bateman's work, regularly featured in publications such as the Sketch, the Tatler, and the Bystander, was groundbreaking for its time and continues to be a fascinating glimpse into the social norms and quirks of the early 20th century. This double page illustration, with its intricate details and lively energy, is a testament to Bateman's skill and the enduring appeal of his work.
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