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War atrocities
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War atrocities
War atrocities. Illustration shows a vignette cartoon struggling to find humor in war with a Metropolitian Opera Star greeted with applause by the enemy; a woman fretting over the escalating cost of perfume; a young student finds it senseless to study geography - Its going to be changed anyhow!; a German man asking a French man vat vould be a good Cherman name for Paris?; and two men suspecting a dachshund of German spying!. Date 1914 October 17. War atrocities. Illustration shows a vignette cartoon struggling to find humor in war with a Metropolitian Opera Star greeted with applause by the enemy; a woman fretting over the escalating cost of perfume; a young student finds it senseless to study geography - Its going to be changed anyhow!; a German man asking a French man vat vould be a good Cherman name for Paris?; and two men suspecting a dachshund of German spying!. Date 1914 October 17
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EDITORS COMMENTS
October 17, 1914: A Dose of Dark Humor Amidst the Chaos of War This poignant and thought-provoking cartoon, published in Puck magazine on October 17, 1914, captures the absurdity and disillusionment that came with the onset of World War I. The illustration, titled 'War Atrocities,' depicts a vignette of everyday life turned upside down in the midst of war. At the center of the scene, a Metropolitan Opera Star is greeted with enthusiastic applause by enemy soldiers, a stark contrast to the adoration she once received from her audience. Nearby, a worried woman frets over the escalating cost of perfume, a luxury item now considered a frivolous expense in the face of war. A young student, holding a geography book, looks perplexed as he contemplates the senselessness of studying a subject that seems destined to change. In the background, a German man engages a French man in a playful banter, asking what a good German name would be for Paris. The exchange, filled with lightheartedness, belies the underlying tension between the two nations. And in a scene that is both comical and alarming, two men suspect a dachshund of German spying, a testament to the paranoia and suspicion that had begun to permeate society. This powerful and prescient cartoon serves as a reminder of the strange and surreal ways in which war impacts everyday life, and the human capacity to find humor and levity even in the darkest of times.
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