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Watercolour study of a Tommy

Watercolour study of a Tommy


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Watercolour study of a Tommy

Watercolour study of a Tommy (two poses - full face and profile). Drawing on reverse of two rear views of Tommies.. 21017 Private P. J. Hill, D Company, 20Th Battalion, The County Of London Regiment. Studied At Lambeth School Of Art, St. Oswalds Place, Upper Kennington Lane. Resided At 6 Amott Road, Peckham Rye, London In 1895

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Media ID 14152475

© David Cohen Fine Art/Mary Evans Picture Library

21017 Amott Battalion Kennington Lambeth Lane Oswalds Peckham Poses Private Rear Regiment Resided Reverse Studied Study Tommies Tommy 1895 Upper


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> Arts > Fine Art

> Arts > Still life artwork > Watercolor paintings > Fine art

> Arts > Watercolor paintings

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > London > Boroughs > Lambeth

> Europe > United Kingdom > England > London > Towns > Kennington

> Europe > United Kingdom > England > London > Towns > Lambeth

> Europe > United Kingdom > England > London > Towns > Peckham


EDITORS COMMENTS
This stunning watercolor study captures the likeness of Private P.J. Hill, a soldier from the 20th Battalion of the County of London Regiment during World War I. The painting features two poses of Private Hill, one in full face and the other in profile. The intricate details and delicate brushstrokes bring out the character and personality of the young soldier. The drawing was created at the Lambeth School of Art, located at St. Oswalds Place, Upper Kennington Lane, London. At the time of the study, Private Hill resided at 6 Amott Road in Peckham Rye. His military identification number was 21017, and he served in D Company of the 20th Battalion. This watercolor study is a precious historical artifact that offers a glimpse into the life of a soldier during the First World War. The artist's skillful use of watercolor technique adds depth and texture to the image, making it a valuable addition to any collection of military or historical art. The reverse of the print reveals two rear views of Tommies, adding to the overall historical significance of the artwork. This painting is not to be used for commercial purposes and is available for rights-managed licensing only through Mary Evans Prints Online.

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