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Cellist Charlotte Moorman rehearsing at 18 Carlton House Terrace for her particular sound

Cellist Charlotte Moorman rehearsing at 18 Carlton House Terrace for her particular sound


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Cellist Charlotte Moorman rehearsing at 18 Carlton House Terrace for her particular sound

Cellist Charlotte Moorman rehearsing at 18 Carlton House Terrace for her particular sound effect concert. With her is her Korean assistant Mr Nan June Paik. Among her sound effects are gongs, chains, bottles, empty beer cans, a piece of plate glass, dustbin lid, a hot-plate, electric light bulbs, a full coca cola bottle, axe, door and indian bells, butter for sizzling, ancient cymbals, a siren, toy guns, masks, human cello, amplifier, taped and recorded sound, mating call of a duck and her cello. A thing she is short of but is trying to get is the casing of a 100 lb bomb. 22nd September 1968

Bela Zola
Daily Mirror
Mirrorpix
London
Greater London
England
DM Y8377

Media ID 21707020

© Mirrorpix

Artist Cellist Cello Instruments Avant Garde Performance Artist Sounds


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> Animals > Birds > Ducks > Call Duck

> Memory Lane Prints > Mirror > 0700to0799 > 00702


EDITORS COMMENTS
Capturing the avant-garde spirit of the 1960s, this intriguing photograph showcases cellist Charlotte Moorman rehearsing at 18 Carlton House Terrace for her unique sound effect concert. Accompanied by her Korean assistant Mr Nan June Paik, Moorman explores a vast array of unconventional instruments and objects to create her distinct sonic landscape. In this image, we witness Moorman surrounded by an assortment of curious items that she skillfully incorporates into her performance. From gongs and chains to empty beer cans and even a hot-plate, each element adds its own peculiar resonance to the composition. The room is filled with an eclectic mix of sounds produced by electric light bulbs, ancient cymbals, toy guns, masks, and even the mating call of a duck - all blending harmoniously with Moorman's mesmerizing cello playing. Moorman's dedication to pushing artistic boundaries is evident in her quest for unusual additions like the casing of a 100 lb bomb. Her relentless pursuit of new sounds demonstrates her unwavering commitment to innovation within music. Photographed by Bela Zola on September 22nd, 1968, this print from Memory Lane Prints transports us back in time to witness an extraordinary moment in musical history. It serves as a testament not only to Moorman's talent as both a cellist and performance artist but also highlights the experimental nature that defined the era.

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