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Metal Print : Michelangelo at the Deathbed of Vittoria Colonna, 1851. Creator: Keyser, Nicaise de (1813-1887)

Michelangelo at the Deathbed of Vittoria Colonna, 1851. Creator: Keyser, Nicaise de (1813-1887)



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Michelangelo at the Deathbed of Vittoria Colonna, 1851. Creator: Keyser, Nicaise de (1813-1887)

Michelangelo at the Deathbed of Vittoria Colonna, 1851. Found in the collection of the Royal Museum of Fine Arts, Antwerp

Heritage Images features heritage image collections

Media ID 36303823

© Fine Art Images/Heritage Images

1851 Antwerp Buonarroti Colonna History Painting Keyser Michelangelo Michelangelo Buonarroti Royal Museum Of Fine Arts Vittoria Colonna


10"x8" (25x20cm) Table Top Metal Print

Experience the timeless beauty of art history with our exquisite Metal Prints featuring Michelangelo at the Deathbed of Vittoria Colonna, 1851 by Nicaise de Keyser. This captivating image, sourced from the esteemed collection of the Royal Museum of Fine Arts, Antwerp, showcases Michelangelo's tender moment with Vittoria Colonna as she lies on her deathbed. Our premium Metal Prints bring out the rich colors and intricate details of this Fine Art Images/Heritage Images masterpiece, ensuring a stunning addition to your home or office decor. Embrace the elegance and history of this iconic artwork with our high-quality Metal Prints.

Table Top Metal Prints feature rounded corners and an easel back for easy display. Available in two sizes, 18x13cm (7x5) or 25x20cm (10x8). Lightweight and vibrant, they are perfect for displaying artwork and are guaranteed to add style to any desk or table top. The unique material is fade, moisture, chemical and scratch resistant to help ensure this art lasts a lifetime.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 25.4cm x 20.3cm (10" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > B > Michelangelo Buonarroti

> Arts > Artists > Michelangelo Buonarroti

> Arts > Artists > Michelangelo

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > Belgium > Antwerp

> Europe > Belgium > Paintings

> Europe > Belgium > Posters

> Europe > Belgium > Related Images

> Europe > Italy > Sicily > Vittoria


EDITORS COMMENTS
Michelangelo at the Deathbed of Vittoria Colonna," painted by Nicaise de Keyser in 1851, is a poignant and evocative work of art that captures the emotional intensity and profound connection between two legendary figures of the Italian Renaissance. The oil on canvas painting, now housed in the Royal Museum of Fine Arts in Antwerp, Belgium, portrays Michelangelo Buonarroti (1475-1564) at the bedside of Vittoria Colonna (1490-1547), a noblewoman and poetess, as she lies dying. Keyser masterfully depicts Michelangelo's anguish and sorrow as he cradles Vittoria's hand, his face etched with deep concern and compassion. The artist's chiseled features and intense gaze convey a sense of deep reverence and devotion towards his beloved friend and muse. The muted colors and soft lighting of the painting create an intimate and introspective atmosphere, drawing the viewer into the emotional depths of the scene. Vittoria Colonna was a prominent figure in the literary and artistic circles of the Italian Renaissance, and her relationship with Michelangelo was one of deep admiration and mutual inspiration. Their bond was strengthened by their shared faith and their commitment to the arts, and it is believed that Vittoria's poetry and spiritual guidance played a significant role in Michelangelo's creative output during his later years. The painting is a testament to the enduring power of friendship and the profound impact that art and literature can have on the human spirit. It is a masterful example of the genre of history painting and a fitting tribute to the lives and legacies of two of the greatest figures of the Italian Renaissance.

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