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Photographic Print : Michelangelo at the Deathbed of Vittoria Colonna, 1851. Creator: Keyser, Nicaise de (1813-1887)

Michelangelo at the Deathbed of Vittoria Colonna, 1851. Creator: Keyser, Nicaise de (1813-1887)



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Michelangelo at the Deathbed of Vittoria Colonna, 1851. Creator: Keyser, Nicaise de (1813-1887)

Michelangelo at the Deathbed of Vittoria Colonna, 1851. Found in the collection of the Royal Museum of Fine Arts, Antwerp

Heritage Images features heritage image collections

Media ID 36303823

© Fine Art Images/Heritage Images

1851 Antwerp Buonarroti Colonna History Painting Keyser Michelangelo Michelangelo Buonarroti Royal Museum Of Fine Arts Vittoria Colonna


10"x8" (25x20cm) Photo Print

Experience the emotional depth and historical significance of Michelangelo's final moments with this exquisite photographic print from Media Storehouse. Captured by renowned photographer Nicaise de Keyser in 1851, this image of Michelangelo at the Deathbed of Vittoria Colonna offers a rare glimpse into the personal side of the legendary artist. Printed on high-quality archival paper, this fine art print preserves the rich details and vibrant colors of the original, making it a stunning addition to any art collection. Discover the story behind this iconic moment in art history and bring a piece of the Royal Museum of Fine Arts, Antwerp into your home with this beautiful photographic print.

Ideal for framing, Australian made Photo Prints are produced on high-quality 270 gsm lustre photo paper which has a subtle shimmer adding a touch of elegance, designed to enhance their visual appeal.

Our Photo Prints are in a large range of sizes and are printed on Archival Quality Paper for excellent colour reproduction and longevity. They are ideal for framing (our Framed Prints use these) at a reasonable cost. Alternatives include cheaper Poster Prints and higher quality Fine Art Paper, the choice of which is largely dependant on your budget.

Estimated Product Size is 25.4cm x 20.3cm (10" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > B > Michelangelo Buonarroti

> Arts > Artists > Michelangelo Buonarroti

> Arts > Artists > Michelangelo

> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > Belgium > Antwerp

> Europe > Belgium > Paintings

> Europe > Belgium > Posters

> Europe > Belgium > Related Images

> Europe > Italy > Sicily > Vittoria


EDITORS COMMENTS
Michelangelo at the Deathbed of Vittoria Colonna," painted by Nicaise de Keyser in 1851, is a poignant and evocative work of art that captures the emotional intensity and profound connection between two legendary figures of the Italian Renaissance. The oil on canvas painting, now housed in the Royal Museum of Fine Arts in Antwerp, Belgium, portrays Michelangelo Buonarroti (1475-1564) at the bedside of Vittoria Colonna (1490-1547), a noblewoman and poetess, as she lies dying. Keyser masterfully depicts Michelangelo's anguish and sorrow as he cradles Vittoria's hand, his face etched with deep concern and compassion. The artist's chiseled features and intense gaze convey a sense of deep reverence and devotion towards his beloved friend and muse. The muted colors and soft lighting of the painting create an intimate and introspective atmosphere, drawing the viewer into the emotional depths of the scene. Vittoria Colonna was a prominent figure in the literary and artistic circles of the Italian Renaissance, and her relationship with Michelangelo was one of deep admiration and mutual inspiration. Their bond was strengthened by their shared faith and their commitment to the arts, and it is believed that Vittoria's poetry and spiritual guidance played a significant role in Michelangelo's creative output during his later years. The painting is a testament to the enduring power of friendship and the profound impact that art and literature can have on the human spirit. It is a masterful example of the genre of history painting and a fitting tribute to the lives and legacies of two of the greatest figures of the Italian Renaissance.

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