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Reflection of burned trees is seen outside a church, one of three struck by suicide

Reflection of burned trees is seen outside a church, one of three struck by suicide


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Reuters Images

Wall Art and Photo Gifts from Reuters

Reflection of burned trees is seen outside a church, one of three struck by suicide

Reflection of burned trees is seen outside a church, one of three struck by suicide bombers, in Surabaya, Indonesia May 14, 2018. REUTERS/Beawiharta

Reuters photo archive features some of the most dramatic and iconic moments ever captured

Media ID 19911794

© Beawiharta/Reuters

Aftermath Blue Blue Sky Building Burn Fire Burnt Catholic Christianity Church Cross Shape Dead Dead Tree Faith Fire Place Of Worship Puddle Reflection Religion Sunshine Tree Urban City White Colour Worship Worshipper


FEATURES IN THESE COLLECTIONS

> Asia > Indonesia > Surabaya

> Religious Art > Religious Architecture > Churches and Cathedrals

> Reuters Images > New

> Reuters Images > Reuters > Indonesia > Bomb

> Reuters Images > Reuters > Indonesia


EDITORS COMMENTS
In this poignant print captured by Beawiharta, the aftermath of a devastating tragedy is vividly depicted. The reflection of burned trees outside a church in Surabaya, Indonesia serves as a haunting reminder of the three suicide bombings that struck these places of worship. The image showcases the resilience and strength of faith amidst destruction. The burnt exterior of the church stands against a backdrop of an urban city under a clear blue sky, symbolizing hope and renewal. A creative use of composition reveals how nature intertwines with religion; dead trees stand tall, their branches reaching towards the heavens like crosses, while sunlight illuminates their charred remains. This powerful image invites contemplation on themes such as loss, resilience, and spirituality. It captures both the physical devastation caused by fire and violence but also hints at the intangible power that faith holds in times of darkness. With no people present in the frame, viewers are encouraged to reflect upon this solemn scene themselves. The white color palette emphasizes purity and innocence while providing ample copy space for personal interpretation. Beawiharta's photograph encapsulates not only the immediate impact on this place of worship but also serves as a universal representation for all communities affected by acts of terror worldwide.

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