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Photographic laboratory, 19th century
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Photographic laboratory, 19th century
Photographic laboratory. Photographer developing positive plates in a laboratory. As opposed to negatives, these are positives, but are still used in a similar way to produce photographic prints. The difference is that negative images are an inversion of the original image (with light areas appearing dark and dark areas appearing light). A positive image or plate is one that doesn t reverse the original image. Whether a photographic process produces positive or negative images depends on the chemicals used. Artwork from the eighth volume (second period of 1891) of the French popular science weekly La Science Illustree
Science Photo Library features Science and Medical images including photos and illustrations
Media ID 6364441
© SCIENCE PHOTO LIBRARY
1891 Annual Volume Chemicals Develop Developing French La Science Illustree Louis Figuier Magazine Photographer Photographic Plate Photography Popular Science Printing Prints Process Processing Weekly Work Bench Worker Developer Laboratory Mono Chrome
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This photograph captures a glimpse into the world of 19th-century photography. The image showcases a photographic laboratory where a skilled photographer is diligently developing positive plates. Unlike negatives, these positives do not reverse the original image, allowing for direct production of photographic prints. The scene exudes an air of historical significance as we witness the meticulous process unfold. The photographer stands at his workbench, surrounded by various equipment and chemicals that are essential to this technological art form. His focused expression reveals years of experience and expertise in handling these delicate materials. Every detail in this monochromatic artwork transports us back in time, offering a unique perspective on the advancements made during this era. It serves as a testament to human ingenuity and our relentless pursuit of capturing moments through photography. Originally featured in La Science Illustree, a renowned French popular science weekly publication, this print holds immense historical value. It was part of the eighth volume from 1891, curated by Louis Figuier himself. As we gaze upon this remarkable piece, we are reminded of how far photography has come since its humble beginnings. This image encapsulates both the beauty and complexity inherent in early photographic processes while honoring those who paved the way for modern-day techniques.
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