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Title page of Kirchers Ars magna, 1646
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Title page of Kirchers Ars magna, 1646
Title page of Ars magna lucis et umbrae (Great Art of Light and Shadow) by Athanasius Kircher, published at Rome in 1646. Light rays are seen reflecting from mirrors to illuminate in different ways. At the top are Hebrew characters signifying God, with angels below. At left is a figure representing the day, at right clothed in stars is the night. Below centre if a portrait of Emperor Ferdinand II, next to whom is a Hapsburg double-headed eagle
Science Photo Library features Science and Medical images including photos and illustrations
Media ID 6296999
© MIDDLE TEMPLE LIBRARY/SCIENCE PHOTO LIBRARY
1600s 1646 17th Century Athanasius Kircher Illumination Light Optics Reflection Shadow
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The captivating title page of Kircher's Ars magna, published in 1646, transports us back to the fascinating world of 17th-century optics and illumination. This intricate print showcases a symphony of light and shadow, as rays bounce off mirrors to create mesmerizing reflections. The Hebrew characters at the top symbolize God, surrounded by celestial angels below, emphasizing the divine nature of light itself. On the left side stands a figure representing day, radiating with brightness and warmth. On the right side is an embodiment of night clothed in stars, evoking a sense of mystery and enchantment. These contrasting elements remind us that light and shadow are inseparable companions in our perception of reality. In the center lies a portrait of Emperor Ferdinand II, accompanied by the Hapsburg double-headed eagle—a powerful emblem representing his reign. This inclusion suggests that even rulers were captivated by Kircher's exploration into optics and its potential applications. Kircher's work was groundbreaking for its time; it delved into various scientific disciplines while also embracing artistic expression. His Ars magna lucis et umbrae (Great Art of Light and Shadow) remains an enduring testament to his genius. This print from Science Photo Library captures not only Kircher's masterpiece but also invites us to contemplate how science can be intertwined with artistry in profound ways. It serves as a reminder that knowledge knows no boundaries when it comes to exploring the wonders hidden within light and shadow during this pivotal period in history.
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