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Moncenisio Pass with San Michele Monastery, from Illustrations of the Passes of the Alps by which Italy Communicates with France, Switzerland, and Germany, by William Brockedon, published in London, 1828-1829, engraving
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Moncenisio Pass with San Michele Monastery, from Illustrations of the Passes of the Alps by which Italy Communicates with France, Switzerland, and Germany, by William Brockedon, published in London, 1828-1829, engraving
Italy, 19th century. Moncenisio Pass: San Michele Monastry. Engraving from Illustrations of the Passes of the Alps by which Italy communicates with France, Switzerland, and Germany, by William Brockedon, London, 1828-1829. Volume 1, Table 24
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Media ID 9572953
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Beauty In Nature Castle Diminishing Perspective Hill Idyllic Mountain Rural Scene Tranquil Scene
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EDITORS COMMENTS
This engraving takes us back in time to the 19th century, showcasing the Moncenisio Pass with its stunning San Michele Monastery. Published in London between 1828 and 1829 by William Brockedon, this print is a true testament to the beauty of Italy's landscape and architectural wonders. The image transports us to a rural scene nestled among majestic mountains. The idyllic setting is enhanced by rolling hills, lush trees, and a tranquil atmosphere that exudes peace and serenity. As we gaze upon this engraving, we are reminded of the rich history that lies within these lands. The San Michele Monastery stands proudly amidst this picturesque backdrop, its architecture blending harmoniously with nature. Its presence adds an air of mystique and spirituality to the scene, inviting contemplation and reflection. The artist skillfully captures every detail of this enchanting landscape through his use of perspective. The diminishing lines draw our eyes into the distance, creating a sense of depth that further enhances our appreciation for nature's grandeur. As we admire this artwork from Universal Images Group (UIG), it serves as a reminder of the timeless beauty found in art itself. This print allows us to escape into another era while appreciating both man-made structures and natural wonders alike.
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