Fraud Blocker Skip to main content

Home > Universal Images Group (UIG) > History > Art

Art Collection (page 5)

882 items

We are proud to offer this selection in partnership with Universal Images Group (UIG)

Background imageArt Collection: Temple of Wady Kardassy, Nubia, Watercolour. David Roberts (1796-1864) Scottish artist

Temple of Wady Kardassy, Nubia, Watercolour. David Roberts (1796-1864) Scottish artist and orientalist. Ancient Egypt Archaeology Religion Mythology Ruin

Background imageArt Collection: The Statues of Memnon, Thebes, During the Inundations, Watercolour. David Roberts

The Statues of Memnon, Thebes, During the Inundations, Watercolour. David Roberts (1796-1864) Scottish artist and orientalist

Background imageArt Collection: The Statues of Memnon, Thebes, Watercolour. David Roberts (1796-1864) Scottish artist

The Statues of Memnon, Thebes, Watercolour. David Roberts (1796-1864) Scottish artist and orientalist. The Colossi near the Valley of the Kings, Egypt, built by Amenhotep II (c1411-1375 BC)

Background imageArt Collection: Approach to the Main Temple at Phylae, 1839. Watercolour. David Roberts (1796-1864)

Approach to the Main Temple at Phylae, 1839. Watercolour. David Roberts (1796-1864) Scottish artist and orientalist

Background imageArt Collection: Pompeys Pillar, Alexandria Watercolour. David Roberts (1796-1864) Scottish artist

Pompeys Pillar, Alexandria Watercolour. David Roberts (1796-1864) Scottish artist and orientalist. Red granite column erected to Diocletian, 4th century

Background imageArt Collection: View of Cairo, 1839. Watercolour and gouache. David Roberts (1796-1864) Scottish artist

View of Cairo, 1839. Watercolour and gouache. David Roberts (1796-1864) Scottish artist and orientalist

Background imageArt Collection: The Obelisk at Heliopolis, 1839. Watercolour. David Roberts (1796-1864) Scottish artist

The Obelisk at Heliopolis, 1839. Watercolour. David Roberts (1796-1864) Scottish artist and orientalist. Red granite obelisk of Senusert I, 20th century BC, oldest obelisk still in situ

Background imageArt Collection: Cairo, the Gate of the Metwalys, 1839, (also Metawalea of Bab Zuweyleh). Oil on canvas

Cairo, the Gate of the Metwalys, 1839, (also Metawalea of Bab Zuweyleh). Oil on canvas. David Roberts (1796-1864) Scottish artist and orientalist

Background imageArt Collection: Interior of the Great Hall of Karnak, 1845. Lithograph after Henry Pilleau

Interior of the Great Hall of Karnak, 1845. Lithograph after Henry Pilleau (1813-1899) English artist. Ruins of the Temple of Amun, Thebes (Luxor)

Background imageArt Collection: Scene in Egypt Town, c1869. Watercolour and pencil. Henry Pilleau (1813-1899) English artist

Scene in Egypt Town, c1869. Watercolour and pencil. Henry Pilleau (1813-1899) English artist. Street scene with figures of men and veiled women, shop/stall in shade of tree

Background imageArt Collection: The Nile near Bulak, 1868. Watercolour by Henry Pilleau (1813-1899) English artist

The Nile near Bulak, 1868. Watercolour by Henry Pilleau (1813-1899) English artist. View of River Nile with Pyramids of Giza in left background

Background imageArt Collection: Edfou, 1845. Lithograph after Henry Pilleau (1813-1899) English artist. View

Edfou, 1845. Lithograph after Henry Pilleau (1813-1899) English artist. View inside arcaded court, looking towards the gateway (pylon). Temple of Horus, falcon-headed god, 237-57 BC

Background imageArt Collection: Temple at Medinet Abou -Thebes, 1845. Lithograph after Henry Pilleau (1813-1899)

Temple at Medinet Abou -Thebes, 1845. Lithograph after Henry Pilleau (1813-1899) English artist. Egypt Luxor Archaeology Architecture Religion Mythology

Background imageArt Collection: Temple of Dendera, 1845. Lithograph after Henry Pilleau (1813-1899) English artist

Temple of Dendera, 1845. Lithograph after Henry Pilleau (1813-1899) English artist. Hippostyle hall of the Temple of Hathor, mother goddess of Ancient Egypt

Background imageArt Collection: Grand Temple at Karnak, 1843. Lithograph after Owen Jones and Jules Goury. Hypostyle

Grand Temple at Karnak, 1843. Lithograph after Owen Jones and Jules Goury. Hypostyle hall of Temple of Amun, Thebes (Luxor). Closed bud papyrus capitals, left, open bud, right

Background imageArt Collection: Giant limestone statues of Ramses II (Rameses - 1304-1237 BC). Lithograph after Karl

Giant limestone statues of Ramses II (Rameses - 1304-1237 BC). Lithograph after Karl Richard Lepsius (1810-1884) Prussian Egyptologist. Each holds crook and flail, symbols of kingship

Background imageArt Collection: Interior view of the Hall of Pillars at Esneh. Lithograph after Karl Richard Lepsius

Interior view of the Hall of Pillars at Esneh. Lithograph after Karl Richard Lepsius (1810-1884) Prussian Egyptologist. Isna Upper Egypt Archaeology Religion Mythology Ancient Egyptian

Background imageArt Collection: Rock Temple at Abu Simbel. Lithograph after Karl Richard Lepsius (1810-1884)

Rock Temple at Abu Simbel. Lithograph after Karl Richard Lepsius (1810-1884) Prussian Egyptologist. Statues of Rameses (Ramses) II (ruled c1304-c1273 BC) outside main temple

Background imageArt Collection: Interior view of the Hall at Karnak. Lithograph after Karl Richard Lepsius

Interior view of the Hall at Karnak. Lithograph after Karl Richard Lepsius (1810-1884) Prussian Egyptologist. Hippostyle Hall in Karnak temple complex at Thebes (Luxor)

Background imageArt Collection: Interior of the Temple at Philae. Lithograph after Karl Richard Lepsius (1810-1884)

Interior of the Temple at Philae. Lithograph after Karl Richard Lepsius (1810-1884) Prussian Egyptologist. Columns in the Temple of Isis, principal goddess of ancient Egypt, sister and wife of Osiris

Background imageArt Collection: View of Mount Barkal, 1842-1845. Lithograph after Karl Richard Lepsius (1810-1884)

View of Mount Barkal, 1842-1845. Lithograph after Karl Richard Lepsius (1810-1884) Prussian Egyptologist. Team of natives pulling sledge containing artefact from Egyptian ruins at Nepata

Background imageArt Collection: View of Philae. Lithograph after Karl Richard Lepsius (1810-1884) Prussian Egyptologist

View of Philae. Lithograph after Karl Richard Lepsius (1810-1884) Prussian Egyptologist. View across the Nile to the temples on the island of Philae

Background imageArt Collection: Abydos and Kom es Sultan, 1873-1874. Amelia Edwards (1831-1892) English Egyptologist

Abydos and Kom es Sultan, 1873-1874. Amelia Edwards (1831-1892) English Egyptologist, novelist and journalist: Co-founder of Egyptian Exploration Fund

Background imageArt Collection: Souvenirs of the East: Harem, 1857. Oil on canvas. Women of the Harem lounging

Souvenirs of the East: Harem, 1857. Oil on canvas. Women of the Harem lounging and smoking under trees by water. Carpet Cushion Veil Languor

Background imageArt Collection: The Cadoudal Plot to assassinate Napoleon I: The Royalist conspirators disembarking

The Cadoudal Plot to assassinate Napoleon I: The Royalist conspirators disembarking on the cliffs at Biville, near Dieppe, 16 Jan 1804. Plot failed

Background imageArt Collection: Landscape with Swan, 1833. Watercolour. Alexander Pushkin (1799-1837) Russian poet

Landscape with Swan, 1833. Watercolour. Alexander Pushkin (1799-1837) Russian poet, novelist and playwright. Romantic Ruin Moonlight Water

Background imageArt Collection: Angel playing a stringed instrument with a bow (viola da braccioja). The Virgin in Glory

Angel playing a stringed instrument with a bow (viola da braccioja). The Virgin in Glory (detail), 1524. Jan Provost (1465-1529) Netherlandish artist. Oil on canvas

Background imageArt Collection: Death and the Miser, c1500. Oil on wood. Jan Provost (1465-1529) Netherlandish artist

Death and the Miser, c1500. Oil on wood. Jan Provost (1465-1529) Netherlandish artist. Doors of a triptych. Death interrupting the Miser in the middle of a transaction

Background imageArt Collection: Wife of Donor of St Nicholas with St Godelina, oil on wood. Door of a triptych

Wife of Donor of St Nicholas with St Godelina, oil on wood. Door of a triptych. Jan Provost (1465-1529) Netherlandish artist. Scenes of 11th century Flemish saints martyrdom in background

Background imageArt Collection: North doors of the Baptistry, Florence, Italy. Gilded bronze showing scenes for the New Testament

North doors of the Baptistry, Florence, Italy. Gilded bronze showing scenes for the New Testament. Lorenzo Ghiberti (1378-1455) Italian Renaissance artist Sculpture Sculptor Metalwork

Background imageArt Collection: Study for Die Tafelrunde ( Reunion at the Palace of Sanssouc i

Study for Die Tafelrunde ( Reunion at the Palace of Sanssouc i or Voltaire at the Court of Frederick the Great ), 1849. Adolph von Menzel (1815-1905) German artist

Background imageArt Collection: Room with Balcony, 1845. Oil on wood. Adolph Menzel (1815-1905) German artist

Room with Balcony, 1845. Oil on wood. Adolph Menzel (1815-1905) German artist.Domestic Interior Light Air Freshness Breeze Curtain Chair Mirror

Background imageArt Collection: The Ships Cook, tankard of beer in hand, at work in his galley. He has lost a leg

The Ships Cook, tankard of beer in hand, at work in his galley. He has lost a leg, probably in a naval battle, and has been fitted with a wooden artificial peg leg

Background imageArt Collection: Naval Lieutenant, 1799. Print by Thomas Rowlandson (1756-1827). Aquatint

Naval Lieutenant, 1799. Print by Thomas Rowlandson (1756-1827). Aquatint

Background imageArt Collection: Cabin Boy, 1799. Print by Thomas Rowlandson (1756-1827). Aquatint

Cabin Boy, 1799. Print by Thomas Rowlandson (1756-1827). Aquatint

Background imageArt Collection: Lieutenant of the Watch 1799. Print by Thomas Rowlandson (1756-1827). Aquatint

Lieutenant of the Watch 1799. Print by Thomas Rowlandson (1756-1827). Aquatint

Background imageArt Collection: The Purser, 1799. Print by Thomas Rowlandson (1756-1827). Aquatint

The Purser, 1799. Print by Thomas Rowlandson (1756-1827). Aquatint

Background imageArt Collection: Ships Carpenter, 1799. Print by Thomas Rowlandson (1756-1827). Aquatint

Ships Carpenter, 1799. Print by Thomas Rowlandson (1756-1827). Aquatint

Background imageArt Collection: Angel in green playing a lute. School of Leonardo da Vinci, c1490. Oil on wood

Angel in green playing a lute. School of Leonardo da Vinci, c1490. Oil on wood

Background imageArt Collection: Meeting / Demonstration, 1919. Linocut. Vladimir Kozlinsky

Meeting / Demonstration, 1919. Linocut. Vladimir Kozlinsky
Meeting/Demonstration, 1919. Linocut. Vladimir Kozlinsky

Background imageArt Collection: Caricature against the Constituent Assembly, 1921. Vladimir Mayakovsky (1893-1930) Soviet poet

Caricature against the Constituent Assembly, 1921. Vladimir Mayakovsky (1893-1930) Soviet poet, playwright and draughtsman

Background imageArt Collection: Not a single hectare of ground that is not under cultivation, 1931. Soviet propaganda poster

Not a single hectare of ground that is not under cultivation, 1931. Soviet propaganda poster

Background imageArt Collection: Plate produced by the Russian State Porcelain Factory, 1921. Design by Rudlodph Vilde (1868-1942)

Plate produced by the Russian State Porcelain Factory, 1921. Design by Rudlodph Vilde (1868-1942)

Background imageArt Collection: Our Cause is Just. Victory will be ours, 1941. Soviet propaganda poster

Our Cause is Just. Victory will be ours, 1941. Soviet propaganda poster

Background imageArt Collection: Advertisement for matches, 1923. Alexander Rodchenko and Vladimir Mayakovsky

Advertisement for matches, 1923. Alexander Rodchenko and Vladimir Mayakovsky

Background imageArt Collection: Give me the Sun at night, 1923. Advertisement for light bulbs by Alexander Rodchenko

Give me the Sun at night, 1923. Advertisement for light bulbs by Alexander Rodchenko and Vladimir Mayakovsky

Background imageArt Collection: Golden bowl belonging to Tsar Alexis. Alexei Mikhailovich Romanov (1629-1676) Tsar

Golden bowl belonging to Tsar Alexis. Alexei Mikhailovich Romanov (1629-1676) Tsar of Russia 1645-1676

Background imageArt Collection: Illustration by Lazar Lissitzky for the poem The March of the Left by the

Illustration by Lazar Lissitzky for the poem The March of the Left by the Vladimir Mayakovsky, 1923. Russia USSR Communism Communist Geometric Abstract



All Professionally Made to Order for Quick Shipping



-

Why Choose Us?

We are a leading provider of Art Prints and Photo Gifts since 2004, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.
+

How do I place an order?

Ordering is quick & easy - Just follow 5 Simple Steps:
  1. Find your image: Use our search box or browse our online photo Collections to find the image you want.

  2. Choose your print format: Select your desired product and add it to your cart.

  3. Enter your details: If you're a returning customer, simply enter your email address and password, and we'll fill in your billing and shipping address details. All personal details are held securely and are fully GDPR compliant. As standard, we remove all Personally Identifiable Information after 12 months.

  4. Pay for your purchase: We use state-of-the-art security for online shopping and do not have access to your card details.

  5. Sit back and relax: We'll email you confirmation of your order and when it's dispatched. Registered customers can also track orders in the 'My Account' area.

+

How do I pay for an order?

You can pay for your order with most of the major credit and debit cards, or PayPal. For added security, major financial institutions process payment details separately and securely on our behalf. We do not have access to your online payment card details. Online payments are preferred however we do take phone orders. For UK customers only we accept cheques issued against a UK bank.
+

Is my data safe?

We take data security very seriously. We do not have access to your full card details and all payments are requested over a fully secure connection. Additionally, we fully comply with current European and GDPR legislation, and automatically remove all personal data after at most 12 months (unless you have an account with us and have signed in recently). We also have a strict opt-in policy and would never sell your personal details. Your data is only used to fulfill your order promptly and efficiently.
+

Is wall art ready to hang?

For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.
+

Are the photo prints fade resistant?

Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site