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David Lloyd George with baby stroller
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David Lloyd George with baby stroller
David Lloyd George, Chancellor the Exchequer, wheeling his budget to the House of Commons. The Prime Minister, Herbert Asquith, in the guise of a policeman, holds up the traffic bearing various demands for funding. Cartoon by Edward Linley Sambourne from " Punch", London
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Media ID 9699671
© Universal History Archive
Authority British Culture Cartoon Gesturing Historical Clothing House Of Commons Illustration Technique Only Mature Men Police Officer Politician Politics Prime Minister Punch Street Text Two People Walking Western Script Baby Stroller Chancellor Of The Exchequer David Lloyd George Edward Linley Sambourne Herbert Asquith
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EDITORS COMMENTS
In this whimsical and thought-provoking cartoon print by Edward Linley Sambourne, we are transported back to a significant moment in British political history. The image captures the iconic David Lloyd George, Chancellor of the Exchequer, as he wheels his budget towards the House of Commons. However, what makes this scene truly captivating is the unexpected twist - Prime Minister Herbert Asquith appears disguised as a policeman, halting traffic with various demands for funding. Sambourne's illustration technique beautifully brings to life the bustling streets of London during that era. With its vertical composition and attention to architectural details, it immerses us in a historical setting filled with authority and power struggles. The juxtaposition between Lloyd George pushing a baby stroller containing his budget and Asquith playing both enforcer and petitioner adds an element of humor while highlighting the challenges faced by politicians when trying to secure funds for their agendas. This cartoon serves as a reminder that even amidst serious matters like politics and economics, there is room for satire and wit. It reflects British culture at its finest - blending history, politics, and artistic expression into one captivating image. As we gaze upon this snapshot from another time, we can't help but marvel at how art has always been intertwined with society's most pressing issues.
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