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Might Is Right illustration

Might Is Right illustration


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Might Is Right illustration

Might Is Right". Germany (Wilhelm II) bullying Russia (Nicholas II), still humiliated, battered and weak from defeat in the Russo - Japanese War (1904 - 1905) in which the Russian fleet was destroyed. Cartoon by Edward Linley Sambourne from " Punch", London

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Media ID 9699731

© Universal History Archive

1905 Authority Cartoon Conflict German Culture Historical Clothing Illustration Technique Military Uniform Nicholas Ii Only Mature Men Politics Punch Russian Culture Sadness Text Two People Western Script Wilhelm Ii Edward Linley Sambourne


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> Europe > Russia > Paintings

> Europe > Russia > Politics

> Europe > United Kingdom > England > London > Politics > Related Images

> Europe > United Kingdom > Paintings

> Universal Images Group (UIG) > Universal Images Group > Universal History Archive > Vertical


EDITORS COMMENTS
This powerful illustration captures the essence of a tumultuous period in history, depicting the strained relationship between Germany's Kaiser Wilhelm II and Russia's Tsar Nicholas II. The image portrays a stark power dynamic as Wilhelm, standing tall and authoritative in his military uniform, looms over a seated and defeated Nicholas. The backdrop of this scene is set against the aftermath of Russia's devastating defeat in the Russo-Japanese War. Edward Linley Sambourne masterfully conveys the emotions through his cartooning skills for Punch magazine. The sadness etched on Nicholas' face reflects not only personal humiliation but also symbolizes Russia's weakened state at that time. Meanwhile, Wilhelm exudes confidence and dominance, representing Germany's growing influence on the world stage. The historical significance of this print lies within its exploration of political tensions during this era. It highlights themes such as authority, conflict, and national pride while subtly questioning notions of "might is right. " This visual commentary serves as a reminder that even great powers can experience vulnerability and defeat. Sambourne's use of Western script adds an international dimension to the illustration while emphasizing London as a hub for political satire during that time. Overall, this thought-provoking artwork invites viewers to reflect upon historical events and their impact on global politics – reminding us that strength should never be equated with righteousness or moral superiority.

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