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Angel with palm and crescent, detail of the Altar Piccolomini, marble, Andrea Bregno (c. 1418-1503), left aisle, Cathedral (Metropolitan Cathedral of Santa Maria Assunta), Siena

Angel with palm and crescent, detail of the Altar Piccolomini, marble, Andrea Bregno (c. 1418-1503), left aisle, Cathedral (Metropolitan Cathedral of Santa Maria Assunta), Siena


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Angel with palm and crescent, detail of the Altar Piccolomini, marble, Andrea Bregno (c. 1418-1503), left aisle, Cathedral (Metropolitan Cathedral of Santa Maria Assunta), Siena

Angel with palm and crescent, detail of the Altar Piccolomini, marble, Andrea Bregno (c. 1418-1503), left aisle, Cathedral (Metropolitan Cathedral of Santa Maria Assunta), Siena Florence Cathedral Altar Late Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:1503. Artist:Bregno, Andrea

Brogi
BGA-F-026766-0000

Media ID 33168875

© Alinari Archives, Florence

Altar Furnishings For Sacred Spaces Low Relieflate Renaissance


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Baroque paintings

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art > Renaissance sculpture

> Historic > Renaissance art

> Historical artwork

> Renaissance art


EDITORS COMMENTS
This print showcases a mesmerizing detail of the Altar Piccolomini, located in the left aisle of the Metropolitan Cathedral of Santa Maria Assunta in Siena. Crafted by the skilled hands of Andrea Bregno, a renowned sculptor from the late Renaissance period, this marble sculpture depicts an angel holding a palm and crescent. The intricate details and delicate craftsmanship are evident in every curve and contour of this exquisite artwork. The angel's serene expression exudes tranquility and grace, while its outstretched wings seem ready to take flight at any moment. The palm held by the angel symbolizes victory or martyrdom, while the crescent represents purity or enlightenment. Dating back to 1503, this masterpiece is a testament to Bregno's mastery as well as his contribution to both Renaissance and Renaissance-Baroque styles. Its presence within the cathedral adds an aura of spirituality and reverence to sacred spaces. Captured through Brogi's lens around 1920-1930, this photograph preserves not only Bregno's artistic brilliance but also serves as a historical document showcasing Europe's rich cultural heritage spanning over two millennia. It stands as a reminder that art transcends time and continues to inspire generations even centuries after its creation. Whether admired for its aesthetic beauty or appreciated for its historical significance, this print invites viewers into a world where art intertwines with spirituality—a realm where angels come alive through stone sculptures—leaving us captivated by their ethereal presence forevermore.

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