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Angels holding up a garland, detail of the back side of the Ark of St. Zenobius, by Lorenzo Ghiberti, in the Cathedral of Santa Maria del Fiore, Florence
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Angels holding up a garland, detail of the back side of the Ark of St. Zenobius, by Lorenzo Ghiberti, in the Cathedral of Santa Maria del Fiore, Florence
Angels holding up a garland, detail of the back side of the Ark of St. Zenobius, by Lorenzo Ghiberti, in the Cathedral of Santa Maria del Fiore, Florence Florence Cathedral of Santa Maria del Fiore, tribune Low Relief, Basrelief Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1960 ca.. Date of Artwork:1442 ca.. Artist:Ghiberti Lorenzo (1378-1455)
Alinari, Fratelli
ACA-F-062369-0000
Media ID 33136919
© Alinari Archives, Florence
Festoon Gesture Wingearly Renaissance Parts Of The Body Vegetal Element Or Composition
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EDITORS COMMENTS
This photograph captures a mesmerizing detail of the back side of the Ark of St. Zenobius, located in the illustrious Cathedral of Santa Maria del Fiore in Florence. The focal point is a group of angels gracefully holding up a garland, their delicate wings spread wide as if frozen mid-flight. The artist behind this masterpiece is none other than Lorenzo Ghiberti, an influential figure in the Early Renaissance period. His attention to detail and mastery of bas-relief shines through in every element depicted here. Each angel exudes an air of divine serenity, their faces radiating peace and tranquility. Draped in flowing robes that cling to their bodies with ethereal elegance, these celestial beings are adorned with intricate fashion from another era. Their garments seem to be influenced by both Renaissance and Baroque styles, blending seamlessly into one harmonious composition. The festoon they hold aloft adds a touch of natural beauty amidst this heavenly scene. Composed entirely of vegetal elements, it symbolizes life's eternal cycle and serves as a reminder that even celestial beings are connected to nature. Every gesture captured by Alinari's lens speaks volumes about communication beyond words; it transcends earthly boundaries. These angels embody spirituality and faith while simultaneously representing humanity's longing for something greater than themselves. As we gaze upon this remarkable print dating back to approximately 1960, we can't help but marvel at how Ghiberti's creation has stood the test of time since its completion around 1442 AD. It serves as a testament not only to his artistic genius but also to the enduring power that religious art holds over our collective imagination throughout history.
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