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"Animal Locomotion" (plate 355): sequence with a man walking with a rifle in his hand
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
"Animal Locomotion" (plate 355): sequence with a man walking with a rifle in his hand
"Animal Locomotion" (plate 355): sequence with a man walking with a rifle in his hand Great Britain. Date of Photograph:1887
Muybridge, Eadweard
PDC-A-004694-0355
Media ID 33268516
© Alinari Archives, Florence
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EDITORS COMMENTS
In this print titled "Animal Locomotion" (plate 355), we are transported back to the year 1887, where Eadweard Muybridge skillfully captures a mesmerizing sequence of a man walking with a rifle in his hand. The image showcases the intricate movements of the male human body as it gracefully strides forward, emphasizing both strength and vulnerability. Muybridge's expertise in freezing motion allows us to witness every subtle detail of this subject's gait. The man's nude form is presented with an artistic sensibility that transcends mere nudity, focusing instead on the beauty and complexity of the human physique. His muscles ripple under his skin, revealing power and determination while simultaneously evoking a sense of fragility. The presence of the rifle adds an intriguing layer to this composition, raising questions about purpose and intent. Is he hunting? Protecting himself? Or perhaps engaging in some other activity entirely? This ambiguity invites viewers to ponder their own interpretations and narratives within this striking visual tableau. As we admire Muybridge's technical mastery, it becomes evident that this photograph goes beyond its aesthetic appeal; it serves as a testament to our fascination with movement and our ceaseless exploration into understanding our own bodies. It reminds us that even though time has passed since its creation, human locomotion remains an eternal source of intrigue. This remarkable piece from Alinari offers us not only a glimpse into history but also an opportunity for introspection – prompting us to reflect on our own physicality while marveling at Muybridge's ability to capture such fleeting moments frozen forever in time.
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