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The Burial, renaissance sculpture of the Ferrara school in carved wood, preserved in the National Museum of the Castle of S. Angelo, Rome
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
The Burial, renaissance sculpture of the Ferrara school in carved wood, preserved in the National Museum of the Castle of S. Angelo, Rome
The Burial, renaissance sculpture of the Ferrara school in carved wood, preserved in the National Museum of the Castle of S. Angelo, Rome. Rome National Museum of the Castle of S. Angelo Sculptural Group Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1924 ca.. Date of Artwork:XV sec.. Artist:School ferrarese
Anderson
ADA-F-024542-0000
Media ID 33146732
© Alinari Archives, Florence
Deposition Desperation Gesture Human Psychology Life Of Christ Objectearly Renaissance Pyschological Behavior Sarcophagus Turban Veil Virgin Mary Christian Religion Headdress Civilian Subject
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EDITORS COMMENTS
This photograph captures a moment frozen in time, showcasing "The Burial" a remarkable Renaissance sculpture from the Ferrara school. Preserved within the walls of the National Museum of the Castle of S. Angelo in Rome, this intricately carved wooden masterpiece is a testament to the artistic prowess of its creator. Dating back to the 15th century, during the early Renaissance period, this sculpture embodies both Renaissance and Renaissance-Baroque styles and periods. Its historical significance cannot be overstated as it provides insight into European art and culture during the first and second millenniums A. D. The photograph itself was taken around 1924, offering viewers a glimpse into an era when photography was still in its infancy. The artist behind this stunning image is Anderson from Alinari, whose keen eye for detail brings out every nuance of emotion conveyed by "The Burial". As we delve deeper into this artwork's narrative, we are drawn to various elements that evoke profound psychological responses. From gestures and instruments to expressions of desperation and communication, each aspect reflects human psychology at its most vulnerable state. At the center stands Virgin Mary herself, tenderly cradling her son Jesus Christ after his crucifixion—a poignant depiction from biblical New Testament accounts. Their clothing showcases intricate renaissance fashion with turbans adorning their heads while veils cascade down their figures. Surrounding them lies an array of individuals—some clothed while others stand nude—each contributing to this powerful scene steeped in Christian religious symbolism. The presence of a sarcophagus further emphasizes themes related to life's transience and mortality. "The Burial" serves as not only an exquisite work of art but also as a window into history—an exploration encompassing physiological aspects alongside deep psychological insights unique to Europe's early Renaissance era.
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