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Daibutsu, or giant Buddha, statue in bronze, Uyeno park, Tokyo

Daibutsu, or giant Buddha, statue in bronze, Uyeno park, Tokyo


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Daibutsu, or giant Buddha, statue in bronze, Uyeno park, Tokyo

Daibutsu, or giant Buddha, statue in bronze, Uyeno park, Tokyo Japan Tokyo. Date of Photograph:1890-1899

Unidentified Author
AVQ-A-004838-0022

Media ID 33283620

© Alinari Archives, Florence

Garden And Park Non Christian Religions Stairs Staircase


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> Arts > Authors

> Arts > Contemporary art > Landscapes > Sculptures

> Arts > Contemporary art > Sculpture > Landscape paintings

> Asia > Japan > Tokyo

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Bronze statues


EDITORS COMMENTS
This photo print, titled "AVQ-A-004838-0022" takes us back in time to the late 19th century. The image showcases a magnificent sight that has stood the test of time - the Daibutsu, or giant Buddha statue, located in Uyeno Park, Tokyo. Crafted entirely in bronze, this awe-inspiring masterpiece is a testament to both architectural brilliance and artistic finesse. The photograph captures the grandeur of this colossal sculpture with impeccable detail. Standing tall amidst a serene landscape, it exudes an air of tranquility and spiritual significance. The viewer's gaze is drawn towards the intricately designed staircase leading up to the statue's base – an architectural marvel in itself. Every element within this composition speaks volumes about Japanese culture and history. From the meticulously crafted building elements to its ornate decoration and sections, they all contribute to creating a harmonious blend between nature and human creation. As we delve deeper into this visual narrative, we are reminded of Japan's rich tradition of garden and park design. The surrounding landscape beautifully complements the imposing presence of the Daibutsu statue while offering visitors a peaceful sanctuary away from bustling city life. Moreover, this photograph serves as a reminder that art transcends religious boundaries. While rooted in non-Christian religions prevalent in Japan at that time, such as Buddhism or Shintoism perhaps; it also appeals to anyone who appreciates beauty irrespective of their faith or background. Although taken by an unidentified author during 1890-1899 period for Alinari collection purposes rather than commercial use specifically mentioned here; it continues to captivate viewers even today with its timeless appeal. This remarkable piece stands as a testament not only to Unidentified Author's skill behind the lens but also highlights our enduring fascination with masterpieces like these throughout history.

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