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Drawing depicting a friar reading a book. In the background is a study of hands. The work is located in the Room of Designs and Prints in the Uffizi
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Drawing depicting a friar reading a book. In the background is a study of hands. The work is located in the Room of Designs and Prints in the Uffizi
Drawing depicting a friar reading a book. In the background is a study of hands. The work is located in the Room of Designs and Prints in the Uffizi. Florence Uffizi Gallery, Room of Designs and Prints Drawing Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1910-1914 ca.. Date of Artwork:1480-1523 ca.. Artist:Perugino, Pietro Vannnucci, Known as (c.1445-1523)
Mannelli, Anchise & C.
MAA-F-000108-0000
Media ID 33188769
© Alinari Archives, Florence
Book Clergy Habit Hand Human Psychology Objectearly Renaissance Pyschological Behavior Reflection Meditation Christian Religion Parts Of The Body
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EDITORS COMMENTS
This print showcases a remarkable drawing depicting a friar engrossed in reading a book. The intricate details of the artwork are truly mesmerizing, with the background featuring a study of hands that adds depth and complexity to the composition. This masterpiece can be found in the Room of Designs and Prints within the renowned Uffizi Gallery in Florence. The drawing belongs to the Early Renaissance period, showcasing elements from both Renaissance and Renaissance-Baroque styles. Created between 1480 and 1523 by Pietro Vannucci, also known as Perugino, this artwork exemplifies his exceptional talent and artistic vision. As we delve into this image, various themes emerge. The presence of books symbolizes knowledge and communication while highlighting their significance during this era. Moreover, it offers insights into psychological behavior and human psychology through its portrayal of reflection and meditation. The religious context is evident through the depiction of a friar wearing traditional clothing associated with Christian clergy. This element not only emphasizes his role but also signifies devotion to faith. Additionally, attention is drawn to the intricately rendered hands—a study that explores different aspects such as gesture, expression, or even physiological characteristics—reflecting individuality amidst broader historical contexts. Captured around 1910-1914 by Anchise & C. Mannelli from Alinari's lens, this photograph preserves an invaluable piece of art history for generations to come. It serves as a testament to humanity's enduring fascination with creativity across centuries—the convergence of past eras blending harmoniously within one frame.
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