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Ercole and the centaur Nessus, marble, Giambologna (1529 - 1608), Loggia dei Lanzi, Florence

Ercole and the centaur Nessus, marble, Giambologna (1529 - 1608), Loggia dei Lanzi, Florence


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Ercole and the centaur Nessus, marble, Giambologna (1529 - 1608), Loggia dei Lanzi, Florence

Ercole and the centaur Nessus, marble, Giambologna (1529 - 1608), Loggia dei Lanzi, Florence Florence Signoria square, Loggia dei Lanzi Sculptural Group Mannerism, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1950 ca.. Date of Artwork:1599. Artist:Giambologna, Jean de Boulogne, known as

Balocchi Vincenzo
BVA-F-002601-0000

Media ID 33174186

© Alinari Archives, Florence

Aggressiveness Centaur Hercules Human Psychology Hybrid Figure Pyschological Behavior Greco Roman


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Art Movements > Mannerism

> Baroque paintings

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historical artwork

> Popular Themes > Human Body


EDITORS COMMENTS
This photograph captures the timeless beauty of Giambologna's masterpiece, "Ercole and the centaur Nessus". Located in the Loggia dei Lanzi in Florence's Signoria square, this marble sculpture stands as a testament to the artistic genius of both its creator and the Renaissance-Baroque period. Giambologna, also known as Jean de Boulogne, skillfully portrays a scene from Greek mythology that showcases not only his technical prowess but also delves into deeper psychological aspects. The muscular figure of Hercules dominates the composition, displaying his aggressiveness and strength as he engages with Nessus, a hybrid creature half-human and half-horse. The artist masterfully captures every sinewy detail of their intertwined bodies, emphasizing not only physicality but also exploring human psychology. Through their facial expressions and body language, Giambologna conveys an intense struggle between good and evil within each individual. As we gaze upon this print captured around 1950 by Balocchi Vincenzo for Alinari, we are transported back to an era where Greco-Roman myths were celebrated through art. Mannerism is evident in Giambologna's elongated figures and exaggerated poses—a departure from classical ideals yet still capturing our imagination. The marriage of Renaissance-Baroque styles creates a harmonious blend that captivates viewers even today. This artwork serves as a reminder that great art transcends time periods; it speaks to universal themes such as heroism, temptation, and inner turmoil. Whether one appreciates it for its historical significance or simply admires its aesthetic beauty—this photograph invites us to ponder on humanity's complex nature while celebrating the enduring legacy of Italian artistry.

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