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Geometry, detail of the Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca. 1431 - 1498), Museum of the Treasury of St. Peter, St. Peter's Basilica, Vatican City
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Geometry, detail of the Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca. 1431 - 1498), Museum of the Treasury of St. Peter, St. Peter's Basilica, Vatican City
Geometry, detail of the Tomb of Sixtus IV, bronze, Antonio Pollaiuolo (ca. 1431 - 1498), Museum of the Treasury of St. Peter, St. Peter's Basilica, Vatican City State of the Vatican City St. Peter's Basilica, Museum of the Treasury of St. Peter Funerary Monument Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:1493. Artist:Pollaiolo, Antonio Benci, known as
Alinari, Fratelli
ACA-F-026441-0000
Media ID 33115281
© Alinari Archives, Florence
Clergy Female Figure Of Famous Personsearly Renaissance Pope Tiara Miter Virtue Abstract Concept And Symbol Christian Religion Concept Or Subject Expressed Headdress Civilian Type Of Representation
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EDITORS COMMENTS
This photograph captures a mesmerizing detail of the Tomb of Sixtus IV, located in the Museum of the Treasury of St. Peter within the grandeur of St. Peter's Basilica in Vatican City. The artwork itself is a bronze masterpiece created by Antonio Pollaiuolo, an esteemed artist from the early Renaissance period. In this particular section of the tomb, we are presented with a stunning display of geometry that showcases Pollaiuolo's exceptional skill and attention to detail. The intricate patterns and precise angles create a sense of harmony and balance, reflecting the artistic ideals prevalent during this era. Amidst this geometric symphony stands a female figure, embodying various representations such as allegory, abstract concepts, symbols, virtues, and art itself. She exudes an air of religious significance while adorned in clothing that reflects both fashion trends and religious customs from that time. The figure wears an elaborate headdress - possibly civilian or religious - which adds to her regal presence. As we delve deeper into her portrayal, it becomes evident that she represents someone significant within Christian religion; perhaps even a pope or clergy member due to her association with St. Peter's Basilica. This portrait serves as both a testament to Pollaiuolo's talent as well as an embodiment of Europe's rich cultural history during the first and second millenniums AD. It encapsulates elements from multiple styles including Renaissance-Baroque influences. Captured sometime between 1920-1930 by Alinari Fratelli photography studio (not for commercial use), this print allows us to appreciate not only Pollaiuolo's genius but also provides us with insight into one aspect among many found within St. Peter’s Basilica – truly showcasing its status as one of Europe’s most iconic architectural wonders.
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