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High relief showing the Betrothal of the Virgin. Particular of the external of the Santa Casa, Basilica of Loreto

High relief showing the Betrothal of the Virgin. Particular of the external of the Santa Casa, Basilica of Loreto


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Alinari

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High relief showing the Betrothal of the Virgin. Particular of the external of the Santa Casa, Basilica of Loreto

High relief showing the Betrothal of the Virgin. Particular of the external of the Santa Casa, Basilica of Loreto Loreto High Relief High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1915-1920 ca.. Date of Artwork:XVI sec.. Artist:Tribolo, Niccol Pericoli, known as (1500-1550), Sansovino, Andrea Contucci, known as

Alinari, Fratelli
ACA-F-017734-0000

Media ID 33131169

© Alinari Archives, Florence

Life And Representations Of The Virgin Mystical Marriage Non Christian Religions Priest Structure Or Place Temple Subject


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Artists > F > Fratelli Alinari Fratelli Alinari

> Arts > Realistic drawings > Still life artwork > Portrait artwork

> Arts > Street art graffiti > Still life > Portrait paintings

> Baroque paintings

> Europe > Italy > Marche > Loreto

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art


EDITORS COMMENTS
This print showcases a high relief sculpture depicting the Betrothal of the Virgin, found on the external facade of Santa Casa in the Basilica of Loreto. The artwork, dating back to the 16th century during the High Renaissance period, is attributed to renowned artists Niccolò Tribolo and Andrea Contucci, also known as Sansovino. The image captures a particular detail of this magnificent piece that beautifully portrays an important event from biblical history - the mystical marriage between Mary and Joseph. The scene unfolds within a temple-like structure where a priest officiates their union. This representation holds great significance for both Christian and non-Christian religions alike. The intricate craftsmanship and attention to detail evident in this high relief exemplify the artistic styles prevalent during its creation: High Renaissance, Renaissance-Baroque fusion. These styles were popular throughout Europe during both first and second millennia A. D. , showcasing humanity's fascination with religious themes. Photographed around 1915-1920 by Alinari Fratelli, this print allows us to appreciate not only the skillful execution but also serves as a testament to preserving historical art forms across centuries. It provides viewers with an opportunity to delve into European history while exploring various periods such as Renaissance and Baroque. Whether one admires it for its religious symbolism or appreciates it purely from an artistic standpoint, this photograph invites contemplation on how art transcends time and connects us with our cultural heritage. Its presence reminds us of our shared human experiences through different eras while simultaneously celebrating exceptional talent that has left an indelible mark on our collective consciousness.

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