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Interior of the underground Basilica of Porta Maggiore, called the Neo-Pythagorean Basilica, in Rome
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Interior of the underground Basilica of Porta Maggiore, called the Neo-Pythagorean Basilica, in Rome
Interior of the underground Basilica of Porta Maggiore, called the Neo-Pythagorean Basilica, in Rome Rome Underground Basilica of Porta Maggiore Church Early Christian Art, Europe, First and Second Millennium A.D.. Date of Photograph:1929. Date of Artwork:IV sec.a.C.-I sec.d.C
Alinari, Fratelli
ACA-F-041295-0000
Media ID 33118987
© Alinari Archives, Florence
Basilica Churchearly Christian Art Floor Nave Paving Stones Pilaster Plasterwork Stucco Ornamentation Applied Arts And Crafts Excavations Find Monuments And Complexes Sites
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EDITORS COMMENTS
This photograph captures the mesmerizing interior of the underground Basilica of Porta Maggiore, known as the 'Neo-Pythagorean Basilica, ' nestled in the heart of Rome. Taken in 1929 by Alinari, Fratelli, this print showcases a remarkable piece of early Christian art dating back to the first and second millennium A. D. The image transports us back in time, revealing an intricate display of plasterwork and stucco ornamentation that adorns every corner of this sacred space. The basilica's architecture is awe-inspiring, with pilasters and building elements meticulously crafted to create a harmonious symphony between structure and decoration. As we gaze upon this photograph, our eyes are drawn towards the beautifully paved floor leading us through the nave. The atmosphere exudes tranquility and reverence, reminding us of its significance as a place for worship and spiritual reflection. The historical importance of this underground basilica cannot be overstated. Its discovery during archaeological excavations sheds light on ancient Roman civilization while also providing valuable insights into early Christian practices in Europe. This hidden gem serves as a testament to human ingenuity and artistic expression throughout centuries past. Alinari's skillful composition allows us to appreciate not only the grandeur but also the delicate details within each section captured by his lens. It is through photographs like these that we can continue to marvel at humanity's ability to create enduring works that transcend time itself. This print invites us on a journey through history, inviting contemplation about our shared cultural heritage. It stands as a testament to both religious devotion and architectural brilliance—a true masterpiece frozen in time for all generations to admire.
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