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Lamentation over the Dead Christ, fresco, Giotto (Giotto di Bondone) (c. 1267 - 1337), Scrovegni Chapel, Padua

Lamentation over the Dead Christ, fresco, Giotto (Giotto di Bondone) (c. 1267 - 1337), Scrovegni Chapel, Padua


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Lamentation over the Dead Christ, fresco, Giotto (Giotto di Bondone) (c. 1267 - 1337), Scrovegni Chapel, Padua

Lamentation over the Dead Christ, fresco, Giotto (Giotto di Bondone) (c. 1267 - 1337), Scrovegni Chapel, Padua Padua Scrovegni Chapel Mural Painting Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1937-1939 ca.. Date of Artwork:1305. Artist:Giotto di Bondone (1267-1337)

FDC-F-002788-0000

Media ID 33183515

© Alinari Archives, Florence

Apostles Death Desperation Gothic Human Psychology Jesus Christ Christ Child Landscape Rocky Areas Mary Magdalen Pain Pyschological Behavior Virgin Mary Abstract Concept And Symbol Christian Religion Concept Or Subject Expressed


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> Arts > Artists > G > Giotto di Bondone Giotto di Bondone

> Arts > Artists > Giotto > Giotto di Bondone

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EDITORS COMMENTS
This print captures the profound emotions conveyed in Giotto's fresco, "Lamentation over the Dead Christ". Created by the renowned artist Giotto di Bondone during the Gothic period of the Middle Ages, this masterpiece is housed in the Scrovegni Chapel in Padua. The fresco depicts a scene of desperation and sorrow as figures mourn over the lifeless body of Christ. The allegorical and abstract concepts portrayed here evoke a deep sense of pain and death. Through his masterful brushstrokes, Giotto explores psychological behavior and human psychology, capturing raw human emotion with remarkable precision. In this composition, we see various individuals surrounding Jesus' body - from Virgin Mary to apostles to an angel. Each figure is dressed in elaborate gothic costumes that reflect their roles within Christian religion. The male figures are depicted both clothed and nude, emphasizing their vulnerability amidst such tragedy. The rocky landscape serves as a backdrop for this poignant moment, adding to its dramatic impact. Meanwhile, a female saint stands nearby, her presence lending spiritual significance to this solemn event. Giotto's work delves into not only physiological but also psychological aspects of grief and mourning. Drawing inspiration from biblical narratives found in the New Testament, he portrays Mary Magdalene alongside other key figures like St. Peter. Dating back to 1305 when it was created by Giotto himself until its photographing between 1937-1939 by Alinari (not for commercial use), this artwork continues to resonate with viewers across centuries due to its timeless exploration of universal themes such as loss and faith.

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