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Left detail of the large lunette with the Last Judgement; work by Mino da Fiesole, part of the monument to Pope Paul II. Preconstantinian Necropolis, Vatican City
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Left detail of the large lunette with the Last Judgement; work by Mino da Fiesole, part of the monument to Pope Paul II. Preconstantinian Necropolis, Vatican City
Left detail of the large lunette with the Last Judgement; work by Mino da Fiesole, part of the monument to Pope Paul II. Preconstantinian Necropolis, Vatican City. State of the Vatican City Preconstantinian Necropolis Low Relief, Basrelief Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1570 - 1590 ca.. Artist:Mino da Fiesole
Anderson
ADA-F-020479-0000
Media ID 33157244
© Alinari Archives, Florence
Bishop Catholicism Clergy Low Reliefrenaissance Prayer The Last Judgement Theological Subject Tiara Miter Christian Religion Headdress Civilian Subject
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Left Detail of the Large Lunette with the Last Judgement - A Glimpse into Renaissance Artistry
EDITORS COMMENTS
. This print captures a left detail of the large lunette with the Last Judgement, an exquisite work by Mino da Fiesole. Part of the monument to Pope Paul II, this masterpiece resides in the Preconstantinian Necropolis within Vatican City. Dating back to around 1570-1590 AD, Mino da Fiesole's creation showcases his mastery in both low relief and bas-relief techniques. The artwork beautifully combines elements from Renaissance and Renaissance-Baroque styles, reflecting Europe's artistic evolution during these periods. In this theological subject matter, we witness a scene filled with profound symbolism and religious significance. The male figures depicted are adorned in various headdresses – civilian, military, and religious – representing their respective roles within society. Their fashion and clothing offer glimpses into the trends of that era. Amongst them stands a saintly figure clothed in bishop attire; his prayerful posture exudes devotion to Christian religion. This portrayal serves as a testament to Catholicism's influence during that time. Meticulously sculpted with intricate details on every surface, this low relief sculpture brings life to each character while emphasizing their nude human bodies—a common theme found throughout Renaissance art. The presence of biblical references is evident through visual cues like tiaras and miters worn by certain individuals—an allusion to high-ranking clergy members mentioned in the New Testament. As we gaze upon this remarkable artwork frozen in time since its photograph was taken around 1890 AD by Anderson from Alinari studios, we can't help but marvel at its historical value. It serves as a reminder of Europe's rich cultural heritage spanning over two millennia—truly an awe-inspiring piece deserving our admiration for generations to come.
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