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Madonna and Child, by Bernardo Rossellino, in the Museum of Palazzo Venezia, Rome
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Madonna and Child, by Bernardo Rossellino, in the Museum of Palazzo Venezia, Rome
Madonna and Child, by Bernardo Rossellino, in the Museum of Palazzo Venezia, Rome Rome Museum of Palazzo Venezia Low Relief, Basrelief Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920 - 1930 ca.. Date of Artwork:1409 - 1464. Artist:Rossellino, Bernardo
Anderson
ADA-F-024761-0000
Media ID 33148110
© Alinari Archives, Florence
Affectionrenaissance Life And Representations Of The Virgin Madonna And Child Of Physical Rapport Society And Politics Subject
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EDITORS COMMENTS
This photograph captures the timeless beauty of Bernardo Rossellino's "Madonna and Child" sculpture, housed in the prestigious Museum of Palazzo Venezia in Rome. The artwork, created between 1409 and 1464, showcases the artist's mastery of Renaissance-Baroque styles. The low relief bas-relief depicts a tender scene between the Virgin Mary and baby Jesus. Their physical rapport is evident as Mary cradles her child lovingly in her arms. This representation of maternal affection resonates deeply with viewers across generations. As we gaze upon this remarkable piece, we are transported back to Europe during the first and second millennium A. D. , a time when religious subjects like Madonna held great significance for society. The sculpture embodies not only artistic excellence but also reflects societal values and politics prevalent during that era. Anderson's skillful photography allows us to appreciate every intricate detail of Rossellino's masterpiece. The play of light and shadow accentuates the delicate features carved into stone, bringing them to life before our eyes. The image was captured sometime between 1920-1930, showcasing how this iconic artwork has stood the test of time for centuries. It serves as a testament to its enduring appeal among art enthusiasts worldwide. Alinari presents this print without any commercial intent; instead, it seeks to share this extraordinary work with individuals who appreciate art history at its finest. Through Anderson's lens, we can now bring home a piece of Renaissance magnificence – an exquisite reminder that true beauty transcends time itself.
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