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Madonna della Mela, terracotta, attributed to Donatello (1386-1466), Stefano Bardini Museum, Florence

Madonna della Mela, terracotta, attributed to Donatello (1386-1466), Stefano Bardini Museum, Florence


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Madonna della Mela, terracotta, attributed to Donatello (1386-1466), Stefano Bardini Museum, Florence

Madonna della Mela, terracotta, attributed to Donatello (1386-1466), Stefano Bardini Museum, Florence Florence Museo Stefano Bardini Sculpture Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1928. Date of Artwork:1425 ca.. Artist:Donato di Niccol di Betto Bardi known as Donatello

Alinari
ACA-F-045895-0000

Media ID 33119697

© Alinari Archives, Florence

Fruit Life And Representations Of The Virgin Madonna And Child Subject


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> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Baroque paintings

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art > Renaissance sculpture

> Historic > Renaissance art

> Historical artwork

> Renaissance art


EDITORS COMMENTS
This photograph captures the exquisite beauty of the "Madonna della Mela" terracotta sculpture, attributed to the renowned artist Donatello. Housed in the Stefano Bardini Museum in Florence, this masterpiece is a testament to Donatello's exceptional talent and artistic vision. Created around 1425, during the Renaissance period, this sculpture depicts Madonna and Child with remarkable precision and delicacy. The tender embrace between mother and child is beautifully portrayed, evoking a sense of love and devotion that transcends time. The terracotta medium adds depth and texture to the artwork, enhancing its lifelike qualities. Donatello's attention to detail is evident in every aspect of this piece - from Mary's serene expression to her flowing robes adorned with intricate folds. The inclusion of an apple in Madonna's hand holds symbolic significance within Christian iconography. It alludes to both Eve's original sin as well as redemption through Christ. This subtle reference further enriches the narrative depicted by Donatello. Captured by Alinari in 1928, this photograph allows viewers a glimpse into history while showcasing one of Italy's most treasured artworks. The Stefano Bardini Museum serves as a fitting backdrop for such an extraordinary piece, housing numerous sculptures representing various periods throughout Europe's rich artistic heritage. Donatello remains one of history's most influential sculptors whose works continue to inspire awe centuries later. His ability to capture human emotion with unparalleled skill has solidified his place among art history greats. This print serves as a timeless reminder of Donatello’s genius craftsmanship and offers viewers an opportunity to appreciate his contribution not only to Renaissance art but also European culture at large.

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