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Marble altarpiece carved by Riccomanni, on the high altar in the Pieve of San Pantaleone, in Elici, near Pietrasanta, Versilia

Marble altarpiece carved by Riccomanni, on the high altar in the Pieve of San Pantaleone, in Elici, near Pietrasanta, Versilia


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Marble altarpiece carved by Riccomanni, on the high altar in the Pieve of San Pantaleone, in Elici, near Pietrasanta, Versilia

Marble altarpiece carved by Riccomanni, on the high altar in the Pieve of San Pantaleone, in Elici, near Pietrasanta, Versilia Pietrasanta Elici, Pieve of San Pantaleone Altarpiece Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1920-1930 ca.. Date of Artwork:XV sec. ca.. Artist:Riccomanni, family

Brogi
BGA-F-023525-0000

Media ID 33170117

© Alinari Archives, Florence

Crucifixion Jesus Christ Christ Child Life And Representations Of The Virgin Life Of Christ Thronerenaissance Christian Religion Subject


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Baroque paintings

> Europe > Italy > Tuscany > Pietrasanta

> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art > High Renaissance art

> Historic > Renaissance art

> Renaissance art


EDITORS COMMENTS
This print showcases the exquisite marble altarpiece carved by Riccomanni, a renowned artist of the Renaissance period. The altarpiece is prominently displayed on the high altar in the Pieve of San Pantaleone, located in Elici near Pietrasanta, Versilia. The artistry and craftsmanship evident in this masterpiece are truly awe-inspiring. Created during the 15th century, it represents a harmonious blend of Renaissance and Baroque styles, reflecting the artistic trends prevalent in Europe at that time. The intricate details and delicate carvings bring to life various scenes from both the Old and New Testaments. The central focus of this altarpiece is undoubtedly its representation of the Virgin Mary, surrounded by depictions from her life as well as significant moments from Christ's life such as his crucifixion. This artwork serves not only as a religious symbol but also as an embodiment of devotion to Christianity. Dating back to approximately 1920-1930 when this photograph was taken by Brogi for Alinari, it captures not just an image but also a glimpse into history itself. It allows us to appreciate how art has evolved over centuries while still maintaining its timeless beauty. As we gaze upon this remarkable piece through Brogi's lens, we can't help but marvel at Riccomanni's talent and dedication to his craft. This photograph transports us back in time to experience firsthand the magnificence of Renaissance art within one small corner of Italy.

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