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Moses received the Tablets of the Law, piece of the Doors of Paradise, Museo dell'Opera del Duomo, Florence
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Moses received the Tablets of the Law, piece of the Doors of Paradise, Museo dell'Opera del Duomo, Florence
Moses received the Tablets of the Law, piece of the Doors of Paradise, Museo dell'Opera del Duomo, Florence Florence Piazza San Giovanni, Baptistry Low Relief, Basrelief, Tile Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1425-1452 ca.. Artist:Ghiberti Lorenzo (1378-1455)
Alinari, Fratelli
ACA-F-001865-0000
Media ID 33123011
© Alinari Archives, Florence
Astonishment Bible Old Testament Human Psychology Moses Movable People Pyschological Behavior Story Of Moses Surprise Tablets Of The Law Tent Treeearly Renaissance Subject
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EDITORS COMMENTS
This photograph captures a moment frozen in time, showcasing a remarkable piece of art that holds immense historical significance. The print features "Moses received the Tablets of the Law" which is a fragment from the Doors of Paradise located at the Museo dell'Opera del Duomo in Florence. The artwork itself was created by Ghiberti Lorenzo during the Early Renaissance period, between 1425 and 1452. It depicts Moses, an iconic biblical figure, receiving the tablets containing the Ten Commandments from an angelic presence. The level of detail and intricacy in this bas-relief is truly astonishing. The image reveals not only this magnificent sculpture but also provides insight into its surroundings. Set against a backdrop of lush vegetation and towering trees typical of European landscapes, it showcases how nature seamlessly intertwines with architectural marvels during this era. What makes this photograph even more intriguing is its date: circa 1890. This glimpse into history allows us to appreciate both the artwork's timeless beauty and how it has endured through centuries. As we delve deeper into analyzing this photo print, we are reminded that art has always been intertwined with human psychology. The astonishment on Moses' face as he receives these divine commandments reflects our own capacity for surprise and wonderment when faced with something extraordinary. In summary, Alinari's photograph transports us back to early Renaissance Europe while simultaneously reminding us of our shared human experience across different periods in history. It serves as a testament to both artistic mastery and our innate curiosity about life's mysteries – making it an invaluable addition to any collection or exhibition dedicated to exploring humanity's cultural heritage.
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