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Natives praying in the desert
Wall Art and Photo Gifts from Fondazione Alinari per la Fotografia
Natives praying in the desert
Natives praying in the desert Lybia. Date of Photograph:1930 ca
La Barbera
FVQ-F-196815-0000
Media ID 33303759
© Alinari Archives, Florence
Black Africans History Of Contemporary Nations Islam Libya Movable Negroid Populations Non Christian Religions Populations Tent Territories Tradional Ethnography And Folklore Of A Group Population And Nationality
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EDITORS COMMENTS
This photo print, titled "FVQ-F-196815-0000" transports us back to the early 1930s, capturing a poignant moment in history. The image depicts a group of native people engaged in prayer amidst the vast desert landscape. The composition showcases both the beauty of nature and the resilience of humanity. As we gaze at this snapshot frozen in time, we are drawn to the intricate details that reveal themselves upon closer inspection. The individuals featured wear traditional clothing and headdresses, reflecting their cultural heritage and identity. The tent-like structure behind them hints at their nomadic lifestyle, providing shelter as they traverse through harsh terrains. This movable architecture serves as a reminder of their adaptability and resourcefulness. While little is known about these specific individuals or their exact location within Libya, this photograph offers valuable insights into the diverse populations that have shaped our world's history. It sheds light on non-Christian religions prevalent in this region during that era, particularly Islam. Moreover, it highlights the presence of black Africans or negroid populations within Libya's ethnic tapestry – an aspect often overlooked when discussing contemporary nations' histories. La Barbera's skillful capture immortalizes not only a single moment but also invites us to reflect on broader themes such as anthropology, ethnography, folklore, and population dynamics. As we contemplate this evocative image from Alinari's collection without commercial intentions in mind (as per instructions), let us appreciate its artistic value while acknowledging its potential for sparking meaningful conversations about culture, tradition, spirituality, and historical narratives tied to marginalized communities across our shared human experience.
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