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The Original Sin and the Expulsion from Paradise. Bas-relief by Lorenzo Maitani, on the first aedicular of the facade of Orvieto Cathedral, near Terni, in Umbria
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The Original Sin and the Expulsion from Paradise. Bas-relief by Lorenzo Maitani, on the first aedicular of the facade of Orvieto Cathedral, near Terni, in Umbria
The Original Sin and the Expulsion from Paradise. Bas-relief by Lorenzo Maitani, on the first aedicular of the facade of Orvieto Cathedral, near Terni, in Umbria Orvieto Low Relief, Basrelief Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:1320-1330 ca.. Artist:Maitani, Lorenzo
Alinari, Fratelli
ACA-F-004945-0000
Media ID 33122919
© Alinari Archives, Florence
Adam Animal Bible Old Testament Briergothic Cloud Earthly Paradise God The Father Meteorological Of A Couple People Snake Structure Or Place Women Abstract Concept And Symbol Natural Elements And Phenomena Type Of Representation Vegetal Element Or Composition
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EDITORS COMMENTS
This photograph captures the intricate bas-relief artwork titled "The Original Sin and the Expulsion from Paradise" by Lorenzo Maitani. The artwork is located on the first aedicular of the facade of Orvieto Cathedral, near Terni in Umbria, Italy. Dating back to around 1320-1330 during the Middle Ages, this Gothic masterpiece tells a profound biblical story. In this scene, we witness Adam and Eve standing beneath a towering tree in what was once their earthly paradise. The couple's nudity symbolizes their innocence before succumbing to temptation. A snake slithers sinuously towards them, representing evil and deception as it tempts Eve with forbidden fruit. This allegorical representation of the original sin is beautifully rendered in exquisite detail by Maitani's skilled hands. Above them looms God the Father, depicted as a cloud-like figure amidst meteorological elements. His presence signifies divine judgment about to befall upon Adam and Eve for disobeying his commandment. Surrounded by lush vegetation, this composition showcases Maitani's mastery in capturing both human form and natural elements. The artist skillfully portrays emotions on Adam's face - regretful yet defiant - while Eve appears remorseful but also curious about her newfound knowledge. Through this remarkable bas-relief sculpture, Maitani transports us back to an era where art served not only as decoration but also as a medium for conveying moral lessons from religious texts like the Old Testament Bible. This vintage photograph taken around 1890 allows us to appreciate both Maitani's artistic genius and Alinari Fratelli's talent behind the lens. It serves as a timeless reminder of our eternal struggle between good and evil that has captivated audiences throughout history.
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