Patua or Juang iron craftsman, ethnic group of the state of Orissa, India

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Patua or Juang iron craftsman, ethnic group of the state of Orissa, India

Patua or Juang iron craftsman, ethnic group of the state of Orissa, India India State of Orissa. Date of Photograph:1965

Quilici, Folco
QFA-S-269107-00ID

Media ID 33216443

© Folco Quilici Alinari Archives

Asiatic Populations Ethnic Traditional Hammer Indians Turban Wrought Metal Anvil Applied Arts And Crafts Ethnography And Folklore Headdress Civilian Population And Nationality

EDITORS COMMENTS
This photograph captures the essence of a skilled iron craftsman belonging to the ethnic group known as "Patua" or "Juang" hailing from the state of Orissa in India. Taken in 1965 by renowned photographer Folco Quilici, this print showcases the mastery of wrought metal artistry prevalent among these artisans. The subject, an Indian man dressed in traditional attire, dons a turban that adds an air of elegance to his appearance. His headdress symbolizes not only his cultural heritage but also signifies his affiliation with either civilian, military, or religious roles within his community. With a hammer firmly grasped in one hand and anvil positioned before him, this craftsman is captured mid-action while meticulously shaping a piece of metal. The intensity on his face reflects both concentration and passion for his craft. This portrait offers us a glimpse into the world of these indigenous people who have preserved their unique traditions over generations. Their distinct fashion choices serve as markers of identity and pride within their close-knit society. Beyond being merely decorative objects, these wrought metal creations are representative of applied arts and crafts that hold significant cultural value. They reflect the rich history and artistic prowess passed down through generations within this ethnic group. Quilici's photograph not only immortalizes this individual's skill but also sheds light on broader themes such as anthropology, ethnography, folklore, population dynamics, and nationality within Asiatic populations like those found in Orissa. As we observe this scene frozen in time through Quilici's lens, we are reminded of the beauty inherent in preserving age-old traditions amidst changing times – a testament to human creativity transcending boundaries.

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