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Roman relief-decorated trapezophoron with two symmetrical griffins and two male figures picking a bunch of grapes; in the Vatican Museums, Vatican City
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Roman relief-decorated trapezophoron with two symmetrical griffins and two male figures picking a bunch of grapes; in the Vatican Museums, Vatican City
Roman relief-decorated trapezophoron with two symmetrical griffins and two male figures picking a bunch of grapes; in the Vatican Museums, Vatican City State of the Vatican City Vatican Museums Relief, Table Roman Art, Europe, Ancient Civilization. Date of Photograph:1923 ca.. Date of Artwork:II sec. a.C.-I sec. d.C
Anderson
ADA-F-023731-0000
Media ID 33146072
© Alinari Archives, Florence
Animal Fruit Grape Griffin Vaseroman Art Greco Roman
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EDITORS COMMENTS
This print showcases a remarkable Roman relief-decorated trapezophoron, located within the prestigious Vatican Museums in Vatican City. The intricate artwork features two symmetrical griffins, mythical creatures with the body of a lion and the head and wings of an eagle. These majestic beings flank two male figures who are delicately picking a bunch of grapes from luscious vines. The composition exudes a sense of harmony and balance, as if frozen in time. The attention to detail is awe-inspiring; every muscle on the nude male bodies is meticulously carved, capturing their strength and grace. The griffins appear fierce yet elegant, their feathers finely etched into stone. The symbolism behind this masterpiece is richly layered. In Greco-Roman mythology, griffins were believed to be guardians of treasure or divine messengers - their presence here suggests protection or sacredness surrounding the act of grape harvesting. Grapes themselves hold significance as symbols of fertility, abundance, and even religious rituals. Dating back to approximately 1923 AD but depicting art from the 2nd century BC to 1st century AD, this photograph transports us back through centuries to witness ancient civilization at its finest. It serves as a testament to both Roman artistic prowess and European cultural heritage. Anderson's skillful capture allows us to appreciate not only the subject matter but also the texture and depth present in this relief sculpture. Through his lens, we can almost feel the cool touch of marble beneath our fingertips. This evocative image invites contemplation about humanity's enduring fascination with mythological creatures like griffins while reminding us that art has always been an integral part of human expression across time and continents.
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